Stay Awhile is a human story told from the perspective of a daughter, the film’s Director and Writer Jessica Edwards, whose parents ‘The Bells’ attained fame in music selling millions of albums worldwide during the electric times of the 1960’s/70’s. Stay Awhile is a film that transcends the simple dream of life in a band, exposing the emotional dynamics between the men and women who were a part of it. The film is brought to life with interviews from the original members of The Bells, vintage film, artists and industry execs of the time. Evoking love, fortune, failure and the ties that bond in a document of unforgettable music moments shared in Canadian music history.
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The small working-class town of Angels Crest is a tight-knit community resting quietly in one of the vast and stunningly beautiful valleys of the Rocky Mountains. Ethan, one of the town’s residents, is a young father but not much more than a kid himself. He has no choice but to look after his three-year-old son Nate, since mom Cindy is an alcoholic. But one snowy day, Ethan’s good intentions are thwarted by a moment of thoughtlessness, resulting in tragedy. A local prosecutor haunted by his past goes after Ethan, and the ensuing confusion and casting of blame begins to tear the town apart.
When trees in their only source of income, a lemon grove, start showing signs of disease, a burdened Californian family reaches their breaking point. Is there any hope left for them?
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
‘What kind of house does a man who has been imprisoned in a six-foot-by-nine-foot cell for over 30 years dream of?’ This film captures the remarkable creative journey and friendship of Herman Wallace, one of the Angola 3, and artist Jackie Sumell while examining the injustice of prolonged solitary confinement.
Divided into chapters, the film first chronicles Hemel’s many sexual conquests, but then takes on a different tone as it explores her complicated relationship with her father, Gijs. A dapper auctioneer, Gijs has dated a series of younger women since Hemel’s mother’s death. But when Gijs starts seeing the charming Sophie, for the first time Hemel feels that her special relationship with her father is threatened…
It takes place in a near future, in a fallen world after a devastating world war between woman and man. Only one percent of the world’s population has survived the war and most of them are women. The few surviving men are being killed or captured by female groups, driven by the vision and the determination to build a new world, ruled only by women.
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can’t seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was his skill with a rifle. Now, serving a long stretch in prison for murder, he has hit rock-bottom. But one day a man in a three-piece suit visits him in prison, a man he has never seen before, and informs him that he can walk out of prison a free man if he will shoot someone for them, no questions asked.
Toto has grown and now is a young cock. An evil rancher tricks the female owner of the ranch where they live and forces her to bet the property in a cockfight in the arena. Toto is the only option to defend their home, so he must train in just one week and win the championship of the arena.
The story of a relationship between a teacher and his troubled pupil. Justin McLeod is a former teacher who lives as a recluse on the edge of town. His face is disfigured from an automobile accident and fire ten years before in which a boy was incinerated and for which he was convicted of involuntary manslaughter. He is also suspected of being a pedophile. He is befriended by Chuck, causing the town’s suspicion and hostility to be ignited. McLeod inculcates in his protege a love of justice and freedom from prejudice which sustains him beyond the end of the film.
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