Set against the backdrop of the prescription drug and opioid crisis in the USA, Jamie Sisley depicts the individual consequences of a societal tragedy, while taking an unflinching yet gentle look at a complicated web of relationships.
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Bill O’Neal infiltrates the Black Panthers per FBI Agent Mitchell and J. Edgar Hoover. As Black Panther Chairman Fred Hampton ascends, falling for a fellow revolutionary en route, a battle wages for O’Neal’s soul.
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked parents. At the office he must face the rampages of his mentally unstable colleague Jerôme who one night turns up at his door with a young woman in tow who has just been released from a clinic.
Kanto, 14, a descendant of Japan’s indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
The third film in a trilogy by writer-director Gregg Araki. Described as “90210 on acid”, the film tells the story of a day in the lives of a group of high school kids in Los Angeles and the strange lives they lead.
Two teenagers and a group of people made homeless by a tsunami try and make their way in a devastated Japan
During the Russian Civil War, the production of a silent melodrama runs into numerous complications.
A romance between a British pilot hiding in Germany and a German nurse is shown on the background of massive allied bombing of Dresden towards the end of World War 2.
Half-sisters Aileen and Romina, along with first cousins Ruth and Sandra, reunite in Camiguin to bury their grandmother. Accompanied by Sandra’s friend, Lucy, the five girls dare to call on the spirits of the dead when they find their old Ouija board from when they were kids. The Ouija board is burned by accident before they are able to finish the ritual, trapping a murderous entity around them. As they begin to realize the terror that they have brought upon themselves, Aileen and Romina’s hostile relationship even become more strained, while Lucy’s sanity brings a heavy burden on Sandra, and Ruth’s boyfriend, Gino, is unknowingly pulled into the danger and horror that await all of them. Confronted by imminent Death, the girls have nowhere to go unless they can identify the spirit and find out where it is buried. It is only by leading the spirit to its burial ground that they will able to release the spirit from the Ouija board and survive its fatal hauntings.