19-year-old Eric, arrogant and ultra-violent, is prematurely transferred to the same adult prison facility as his estranged father. As his explosive temper quickly finds him enemies in both prison authorities and fellow inmates — and his already volatile relationship with his father is pushed past breaking point — Eric is approached by a volunteer psychotherapist, who runs an anger management group for prisoners. Torn between gang politics, prison corruption, and a glimmer of something better, Eric finds himself in a fight for his own life, unsure if his own father is there to protect him or join in punishing him.
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Jack Kerouac’s life is examined through interviews with his contemporaries and friends including Allen Ginsberg, Lawrence Ferlinghetti and William S. Burroughs. The film also employs dramatic recreations of Kerouac’s life beginning with his early childhood.
Transfer student Mizuki Aonuma (Rina Sakuragi) is bullied mercilessly by classmate Aya (Eriko Nakamura) and others. Nevertheless, Mizuki is always able to maintain her calm composure. Kirie (Maika Shimamura), who has a passive character and is also bullied, becomes interested in Mizuki and longs for her. The two become close. With a guy named Shibanai (Syun Asada), Mizuki and Kirie decide to stand up to their tormentors. Mizuki though is badly beaten by Aya. Kirie and Shibanai are assaulted by teachers and endure shocking violence. Mizuki decides to get revenge. She wanders the street at night. At that time, Mizuki becomes possessed by a poisonous flower spirit. Madness of the flower spirit begins.
The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave
A Sicilian family deals with the arrival of a group of immigrants on their island.
In the year 2029, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop a highly-wanted hacker known as ‘The Puppetmaster’. Ghost in the Shell 2.0 is a reproduced version of its original 1995 counterpart. Among a numerous enhancements, for the film’s 2.0 release, were a number of scenes were overhauled with 3D animation, visual improvements, and soundtrack rerecorded in 6.1 surround sound.
The daughter of a wealthy real estate mogul falls in love with a younger man, and she is introduced to the world of BDSM. With her newly awakened sexual prowess, she is finally able to take control of her life.
Fat Pizza the Film is yet another slice of life at a dodgy suburban Sydney take away. Bobo Gigliotti the psychotic pizzeria owner/pizza chef is awaiting the arrival of his mail-order refugee bride Lin Chow Bang, and a new pizza deliverer is on the block. Channel V’s Jabba almost steals the show as token skip delivery boy Davo Dinkum, a stoner with a bong strapped to his face like a feedbag.
An intimate look at the very public and passionate fight waged by residents and business owners of Brooklyn’s historic Prospect Heights neighborhood facing condemnation of their property to make way for the polarizing Atlantic Yards project, a massive plan to build 16 skyscrapers and a basketball arena for the New Jersey Nets.
The setting is Detroit in 1995. The city is divided by 8 Mile, a road that splits the town in half along racial lines. A young white rapper, Jimmy “B-Rabbit” Smith Jr. summons strength within himself to cross over these arbitrary boundaries to fulfill his dream of success in hip hop. With his pal Future and the three one third in place, all he has to do is not choke.
Dating coach and aspiring book author Abigale Slater is tasked by her publisher Jack to prove that her dating advice really works. With that, she decides to make a man fall for her by Christmas Eve in 12 days. When she Michael Ryan, her single-minded mission takes an unexpected turn.
