Villagers in Turkey’s Black Sea village of Camburnu struggle with the government’s decision to turn their community into a garbage dump.

Mele Murals is a documentary on the transformative power of modern graffiti art and ancient Hawaiian culture for a new generation of Native Hawaiians. At the center of the story are two renowned street artists – Estria Miyashiro (aka Estria) and John Hina (aka Prime) – a group of Native Hawaiian youth, and the rural community of Waimea. Set against the resurgence of Hawaiian language and culture of the past twenty years, Estria and Prime tell how their street art has taken them on personal journeys to discover their history, identity and responsibilities as Hawaiian people.

Goddess Snow and her close friends Ceara Lynch, Princess Rene, Astro Domina, Princess Meggerz and Sarah DiAvola have built a supportive underground punk scene of fetish content creators, empowering each other, their clients, fans and the rest of the adult population to engage in the fight for a shame-free, consensual, and safe exploration of one’s sexuality. Dancing between the worlds of online fetish content creation, and in-person domination sessions, Goddess Alexandra Snow has built a thriving empire which supports the empowerment of women, sex workers, and anyone who has ever felt like a misfit.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Directed by acclaimed filmmaker Martin Scorsese and his longtime documentary collaborator David Tedeschi, A 50 Year Argument rides the waves of literary, political, and cultural history as charted by the The New York Review of Books, America’s leading journal of ideas for over 50 years. Provocative, idiosyncratic and incendiary, the film weaves rarely seen archival material, contributor interviews, excerpts from writings by such icons as James Baldwin, Gore Vidal, and Joan Didion along with original verité footage filmed in the Review’s West Village offices. Confrontation and original argument are in the Review’s DNA – the magazine seems as vital now as when it was run by its indefatigable founding editors, Robert Silvers and the late Barbara Epstein. Co-produced with the BBC’s award-winning Arena and shaped by Scorcese’s vivid filmmaking style, The Fifty Year Argument captures the power of ideas in influencing history.

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Join John Challis on his journey to the capital of Serbia, Belgrade, where he aims to uncover why ‘Only Fools and Horses’ is so popular in the small Balkan nation, apparently it’s the most watched show in Serbia, but why? Boycie is received in Serbia as almost a national hero, causing a media frenzy everywhere he goes on his voyage to learn about the people and the country. From a Royal Palace, to a brandy distillery, to a university teaching cockney rhyming slang; the documentary will keep you entertained as well as discover what it is that unites this tiny Balkan state with British humour.

A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.

The discovery of woolly mammoth remains raises important questions.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.