It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
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Forget about nuclear missiles, the decisive weapon of the twentieth century is the car bomb. After Iraq we now know you can defeat a Superpower, start a civil war or just blow up your own Government with a trunk load of home-made explosives and a battered old car. From the Middle East, Oklahoma, Ireland and the streets of the City of London the car bomb has shaped human conflict. Even today the car bomb remains the number one terrorist threat across the world. In this film, ex-CIA agent Robert Baer uncovers the history of this extraordinary weapon. With footage of car bomb attacks and interviews with car bombers, Baer reveals how the century of the car turned into the century of the car bomb. And how a dream of freedom turned nightmare.
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Chintu Tyagi is an ordinary, middle-class man who finds himself torn between his wife and another woman.
The newly elected Pope suffers a panic attack just as he is about to greet the faithful who have gathered to see him. His advisors, unable to convince him he is the right man for the job, call on a renowned therapist who also happens to be an atheist. But the Pope’s fear of his newfound responsibility is one he must face alone. Winner Best Film at the Italian Golden Globes.
Tungsten deals with the idea of electricity as a metaphor, the scenery is urban, and the plot is unfolded during a single day. One day in Athens, continuous outages, and a final blackout, caused by the strike of technicians at the electricity company. A day during which, six people’s lives are being crossed and diverted.
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Kate & Humphrey and their three wolf cubs (Smokey, Claudette and Runt) are happily preparing to celebrate their first winter holidays together when their smallest cub, Runt, mysteriously disappears. They must now go on a new journey across the wilderness to find Runt before the winter festivities begin at home.