Story follows a stagecoach ride through Old West Apache territory. On board are a cavalry man’s pregnant wife, a prostitute with a broken heart, a Marshal taking in his prisoner Johnny Ringo, a crooked gambler, and the infamous Doc Holliday
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Call him a city slicker. Call him a tenderfoot. But don’t call him a member of the family–yet. Rising L.A. lawyer James White is going home for the holidays with his fiancée, Sadie Ryder, to finally meet her family in rural Pine Gap. After blundering through a bad first impression, James attempts to win over Sadie’s lawyer-loathing father Karl by pretending to be a horse-riding, hay-baling, game-hunting, seasoned square dancer. But a pair of worn jeans and a ten-gallon hat don’t make a cowboy, and it’s going to take more than mere posturing to charm Mr. Ryder…in fact, it just may take a miracle.
Panther is a semi-historic film about the origins of The Black Panther Party for Self-Defense. The movie spans about 3 years (1966-68) of the Black Panther’s history in Oakland. Panther also uses historical footage (B/W) to emphasize some points.
Kit can’t remember much of his native Vietnam. When he returns to the Land of the Golden Star for the first time in over thirty years, he takes in his local surroundings as any Western tourist would, and the environment is as exotic as the language is incomprehensible. The aim of Kit’s travels – to find a place to scatter his parents’ ashes – thus becomes part of a journey back to his roots and to the discovery of his identity, which external circumstances have rendered ambiguous and complex.
Teenagers Luke, Malachy, and Michelle embark on a wild weekend of drink, drugs, shop-lifting and stealing cars. But what starts out as a game turns deadly serious when the three discover that they can’t get off the wild ride they’ve set in motion.
A group of ranchers, led by Colonel Arnold and Ward Gordon, are drilling an oil well but getting fierce opposition from an unknown gang of outlaws. Eastern promoter J.B.”Dude” Dawson, is behind the gang as he is out to prevent the co-op members from striking oil before their lease expires, so he can secure the property for his company. When Ward, with the help of Arnold and his daughter Sally, arranges for a new driller to be brought in, the replacement man is killed and one of Dawson’s men takes his place.
In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet
During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer’s block while working on his eventual masterpiece, Six Characters in Search of an Author.
A desperate marine biker’s life is turned upside-down when he is united with the sassy 9-year-old daughter he never knew existed.
After a collision with a comet, a nearly 8km wide piece of the asteroid “Orpheus” is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite “Hercules” but discovers soon that it doesn’t have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
