As Spud Milton continues his awkward stagger through adolescence, he learns one of life’s most important lessons: When dealing with women and cretins, nothing is ever quite as it seems. “I’m practically a man in most areas,” writes Spud confidently on his sixteenth birthday. The year is 1992 and, in South Africa, radical change is in the air. The country may be on the bumpy road to an uncertain future, but Spud Milton is hoping for a smooth ride as he returns to boarding school as a senior. Instead, he discovers that his vindictive arch enemy is back to taunt him and that a garrulous Malawian has taken residence in his dormitory, along with the regular inmates and misfits he calls friends. Spud’s world has never seemed less certain; he attempts to master Shakespeare, wrestles constantly with his God, and the power of negative thinking, and develops an aversion to fried fish after a shocking discovery about his grandmother, Wombat.
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A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads. Lost for nearly 50 years, the movie was found in 2006 by the son of Ruth Michelly and Saul Gilbert when he found it in his mom’s attic in Munich.
In the South of the United States are taking place confrontations between two groups of students who have different ideas and are not able to accept the one of the opponent.
Cully, a two-bit hustler and the driver for a Baja drug cartel, finds himself relying on skilled-but-reluctant bounty hunter Turk, to stay out of the grasps of a merciless assassin, and vicious thugs led by a rival gang leader after Cully has stolen a money car stuffed with cash meant for his boss. The duo crosses paths with Crystal, a sultry dancer with too many secrets and a greater stake in all of this than they first realize. If Cully can convince Turk to go along with his crazy schemes, he might make it back to his estranged wife and daughter alive.
Stand-up performance filmed at the historic Fox Theatre in Detroit, MI., Epps gets the house rocking with his unique and hilarious observations of married men, black/white family dynamics and a spot-on impersonation of a popular crime scene investigation series. Legendary hip hop emcee Doug E. Fresh also makes a special appearance.
An ambitious teaching student’s finals studies are interrupted by a passionate affair with a jazz musician.
Chiranjeevi is a bachelor seeking his perfect match. His family rejects a lot of alliances and search for a bride continues, until Aadhya enters the scene. However, Aadhya’s mother resists her daughter’s marriage to Chiru because it goes against what she believes as marriage to be – male dominance over females.
A woman falls in love with an Olympic skier she idolized as a teenager, who takes her down some very slippery slopes.
Comedian Dusty Slay serves up his distinctive homespun humor on shirt-tucking, hipster coffee shops and country music mysteries.
Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
