When Marjory Stoneman Douglas High School drama teacher Melody Herzfeld heard the fire alarm on Feb. 14, 2018, she was with her students in rehearsals for their annual children’s musical. Moments later, a Code Red sounded. Herzfeld rushed her 65 students into a storage closet while a shooter killed 17 teachers and students nearby.

A narrator recounts the state of Great Britain near the end of WWII via a visual diary for the titular baby boy born in September 1944.

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.

The narrative portrays a plain man who guides the viewer through his life in a bleakly stylised world.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church’s door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

As a young child our protagonist is left by his mother and has to live with his violent father. He fights his way through adolescence and falls in love with the woman of his dreams and just as everything seems to be finally working out for him, a sudden event changes the course of his life forever. A story about how everything we love, everything we learn, everything we build, everything we fear, will one day be gone.

On his way to a restaurant, Ambrose, a happily married man, obliges to mail a letter for a woman in the apartment lobby. Unbeknownst to him, the letter is about a rendezvous with her own lover at their “trysting place”. Elsewhere, after some domestic frustration, Charlie runs an errand to buy a baby bottle before stopping at the same restaurant. After a confrontation there, they both inadvertently leave with each other’s coats. Later, their wives independently discover what appears to be incriminating evidence of extramarital affairs from the pockets of the swapped garments. It all comes to a head when all four of them find themselves at the “trysting place” in the park.

A series of vignettes with a loose plot. Featured are Frank Morgan, Groucho Marx, Frank McHugh, Robert Benchley and The Brian Sisters. Not bad, more interesting for the historical significance than for entertainment.

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Luke Parker, a brilliant young psychiatrist has always relied on analysis and logic. But his amazing mind can’t fathom the call of his destiny. Luke’s patient, William Titus embodies why ‘lunar’ is the root of ‘lunatic.’ He’s a serial killer, but more than that, he believes he’s a werewolf. And Titus has a secret. — James Wolf

A short comedy by Mike Leigh about the romance between a young woman and a man who communicates only through jokes and humor…

A young woman is walking through the city. She meets a friend at a coffee shop. This friend tells her every detail about how she bought a bike the day before. The young women listens.