Three directors each adapt a Poe short story to the screen: “Toby Dammit” features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. “Metzengerstein” features a Mediveal countess who has a love-hate relationship with a black stallion – who it turns out is really her dead lover. “William Wilson” tells the story of a sadistic Austrian student with an exact double whom he later kills.
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Having moved to the city for work, a stressed-out young professional begins to fear that a jealous colleague is framing her as incompetent – but the truth is even more terrifying.
A nameless man wanders the city, littered with necrotic artifacts and a trail of corpses. Are his grotesque hallucinations clues to a violent past?
Bernard Salzmann’s thriller Assumed Killer tells the tale of a reporter investigating a serial killer. After she suffers an accident and becomes an amnesiac, she begins to suspect her husband may be the person responsible for the brutal slayings
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An uptight insurance man and his film-censor wife become a kinky couple’s landlords.
A Dog’s Way Home chronicles the heartwarming adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.
T.J. and his friend Dexter quit their jobs in Detroit to become ski-instructors in Aspen. While T.J. advances to the most popular instructor of the school during the season, he has to take care for Dexter, who’s future is less bright and who’s eventually thinking about jobbing as drug courier – bringing their friendship to a test. Meanwhile the rich business woman Brice supports T.J. in his writing ambitions and invites him to live at her home. But in her absence he falls in love with the stunningly beautiful blond radio moderator Robin.
In the fall of 1987, a group of small-town friends must survive the night in the home of a sinister couple after a tragic accident occurs. Needing only to make a single phone call, the request seems horribly ordinary until they realize that this call could change their life…or end it.
A mistaken delivery in Mumbai’s famously efficient lunchbox delivery system (Mumbai’s Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).
Inspired by the Charles Dickens classic A Christmas Carol, shrewd money manager Alexis Taylor (Braxton) gets the holiday visit of a lifetime. A self-proclaimed workaholic who ‘humbugs’ love, Alexis ends up embracing the spirit of Christmas when her past, present, and future collide, forcing her to risk the one thing money can’t buy: her heart.
