Everyone in the Osayande family worries about Isoken. Although she has what appears to be a perfect life – beautiful, successful and surrounded by great family and friends – Isoken is still unmarried at 34 which, in a culture obsessed with marriage, is serious cause for concern. Things come to a head at her youngest sister’s wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze. Osaze is handsome, successful and from a good family, making him the perfect Nigerian husband material. But in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner. The only problem is, not only is he not an Edo man, he is Oyinbo (Caucasian). Isoken is a romantic dramedy that explores cultural expectations, racial stereotypes and the bonds that unite families in a touching, dramatic and comedic way.

When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair — and learns that Christian’s true sexual proclivities push the boundaries of pain and pleasure.

One night, 18 year old Lena is bitten by Louise, leader of a female vampire trio that are as deadly as they are beautiful. Her newfound vampiric lifestyle is a blessing and a curse at the same time. At first, she enjoys the limitless freedom, the luxury, the parties. But soon the murderous blood lust of her comrades in arms proves too much for her, and she falls dangerously in love with Tom, a young undercover cop. When she resolves to turn her back on the bloodsucking band of sisters, Louise fury knows no bounds. Lena will have to choose between immortal love and immortal life.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

On a remote Caribbean island, Army Ranger Joe Armstrong saves an old friend from the clutches of “The Lion”, an evil super-criminal who has kidnapped a local scientist and mass-produced an army of mutant Ninja warriors.

Shanna has inherited a beautiful old mansion in which a spirit lives. The spirit starts to play with people, passing from one person to another.

Farming family battles severe storms, a bank threatening to reposses their farm, and other hard times in a battle to save and hold on to their farm.

Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly ‘bombing’ foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and ‘tags’ virgin walls with his signature ‘Blest.’ He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his mother to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.

In the debut movie from Griselda Films, Hunter comes home from prison and attempts to get his life on the right track. Will he succeed or be dragged back into his criminal past? He is, as the title suggests, conflicted. And Michael Rapaport is in a scene.

Frank Rautenbach leads a strong cast as Angus Buchan, a Zambian farmer of Scottish heritage, who leaves his farm in the midst of political unrest and racially charged land reclaims and travels south with his family to start a better life in KwaZulu Natal,South Africa.

A wild teenage girl orchestrates a romance between her nanny and her father, who is a recovering addict.

Persona Non Grata in his homeland, protest singer Klaus Drittemann must leave East Berlin, his wife and child and emigrate to West Berlin, where the representatives of an American record company are eagerly waiting for him. They plan to exploit his defection from communism both ideologically and financially. But Klaus, as ill-at-ease in the West as he was in the East, is reluctant to be used as an expendable commodity. Leaving his contract unsigned (or signed in his manner), he leaves for Cambridge to meet his father, a concert player, who -just like him – left East Berlin thirty years ago as Klaus was a little boy. He is accompanied by a young French journalist, Emma, who knows where his father has been living since he disappeared for more than a decade. The young lady is cooperative but might hide things from him…