A retired police detective dedicates his life to preventing deaths at Japan’s suicide cliffs, providing emergency assistance and counseling even as tourists flock to the site, attracted by its notoriety as a popular suicide destination.

Beginning with Rome’s fall in the fifth century, tis History Channel presentation sheds light on the Dark Ages, covering the continent-wide chaos, including raids by Vikings Vandals, and Visigoths, bubonic plague, famine, civil unrest and more. The program takes viewers from the darkest of times to the dawn of a new beginning as the turmoil besieging Europe gives rise to the Crusades, the Enlightenment, and the Renaissance.

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunites. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world’s most influential creators of the digital era.

Jack to a King is a passionate portrait of the rise of Swansea City Football Club from near oblivion to the world stage of the Premier League. It is the story of a city and the people who made the club what it is today. An independent feature from film makers, Mal Pope and Edward Thomas, YJB Films’, Jack to a King is about more than just a football club, it is about a city that survives against all odds – through the Blitz, industrial decline and recession. It tells a universal story of how football plays into the lives of ordinary people. It touches on the Welsh attitude to defeat and victory and the relationship between sport and money. The story is told through the characters involved, capturing the rhythm of their lives and presenting a portrait of where they live. Through it all, there is one dream, one ambition which unites everyone – The Premier League.

The courtroom and publicity battles between the superstar wrestler and the notorious website explode in a sensational trial all about the limits of the First Amendment and the new no holds barred nature of celebrity life in an internet dominated society.

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The documentary follows one woman’s quest to overcome anxiety, depression, and opioid addiction through the use of psychedelic medicines.

With the country’s debt growing out of control, Americans by and large are unaware of the looming financial crisis. This documentary examines several of the ways America can get its economy back on the right track. In addition to looking at the federal deficit and trade deficit, the film also closely explores the challenges of funding national entitlement programs such as Social Security, Medicare and Medicaid.

“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.

A memorial concert reawakens the story of an artistic uprising in the Nazi concentration camp, Terezin, where a chorus of 150 inmates confronts the Nazis face-to-face – and sings to them what they dare not say.

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

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