Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it’s hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.
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Nick cannot stop obsessing over his ex-girlfriend, Tris, until Tris’ friend Norah suddenly shows interest in him at a club. Thus beings an odd night filled with ups and downs as the two keep running into Tris and her new boyfriend while searching for Norah’s drunken friend, Caroline, with help from Nick’s band mates. As the night winds down, the two have to figure out what they want from each other.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.
Delphine and Solange are two sisters living in Rochefort. They are both looking for love, without being aware that their ideal partner is very close… A film where the scenario is much less important than its feeling of euphory, according to the director Jacques Demy.
Gaby Jones, fashion photographer, takes a holiday retreat against her desire by advise of her friend. She will then find that there’s more behind a photo when she meets wildlife photographer Sean.
Gorgeous Anna’s (Lila Baumann) boyfriend leaves her and tells her to forget him. She is confused over him and eventually marries a rich man whose family oppose this marriage. She is happy but her ex-lover returns and wants her back.
A chronicle of the life of a middle-class French girl’s sexual adventures, her then fall into prostitution, and her ultimate redemption.
Duncan Mayor decides the perfect Christmas present for his beloved wife, Suzy, is a ride on a real Ferris wheel, set up in their very own back yard. As a young man, it was the perfect place for a wedding proposal. Now, years later, in order to relive the experience with his wife, Duncan will go to any length to make their fantasy become a reality.
In 1951, Marcus Messner, a working-class Jewish student from New Jersey, attends a small Ohio college, where he struggles with anti-Semitism, sexual repression, and the ongoing Korean War.
A 17 year old finds out that his girlfriend is dying, so he sets out to give her an entire life, in the last year she has left.
A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.
Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they are choir members, they have been inseparable. However, because they are “different,” their loved ones are fearful of their relationship. As the choir prepare for an important music festival, Gabrielle does everything she can to gain her independence. As determined as she is, Gabrielle must still confront other people’s prejudices as well as her own limitations in the hope of experiencing a love far from the “ordinary”.