A road trip across five countries to explore the social and political movements as well as the mainstream media’s misperception of South America while interviewing seven of its elected presidents.
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Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
This quirky documentary film tracks art dealer Harvey Jordan on his obsessive journey to find out about the mysteries of ‘Bible Storyland’, an ill fated Bible theme park intended to compete with Disney in 1960s Southern California. Complete with dream sequences, animation and of course, a curse, this fun film plumbs the depths of the many facets of ‘Bible Storyland’, and it’s affects on Harvey and his family. — IMDb Plot: Bible Storyland (2012)
When Filipe Leite leaves his adoptive home of Canada, the aspiring journalist sets out on an epic quest to ride from Calgary to his family’s home in Brazil – and later beyond – entirely on horseback.
Twentysomething Petri got over a break-up by pushing his credit card limit in order to buy stuff. Still, after three years, the anxiety remains, so all things must go into a storage container. For a year, Petri allows himself to retrieve only one item per day. New life begins naked next to a radiator.
A documentary that follows the former Tonight Show. Filmed during Conan’s ”Legally Prohibited From Being Funny on Television” comedy tour, after his departure from the Tonight Show, takes viewers into an intimate journey of O’Brien’s life.
The complete story of Henry Louis Wallace and the panic he unleashed in the city of Charlotte has never been told on television before,” says Henry Schleiff Group President of Investigation Discovery, Travel Channel, Destination America and American Heroes Channel. “‘Bad Henry’ showcases the fearless tenacity of Garry McFadden and his team in their efforts to capture this killer, providing justice, and most importantly, closure to the victims and their families
Some people run for exercise, and others for competition, but Johnnie Jameson runs to heal.
Curmudgeon. Contrarian. Misanthrope. Naysayer. For all the people interviewed in this film, someone has used one of the above words to describe them. What have they done to deserve such labels? Everywhere these men and women go, something is being celebrated; they don’t get what all the celebration is about and they’re compelled to question it.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
Anita, Rita, Ricardo and Andrés have been attending a school for children with Down syndrome for 40 years. After all this time, they are starting to tire of this safe, familiar environment. Now over 45 years old, some of them feel that working in the school bakery is no longer a challenge. They also yearn for freedom on a more personal level. Anita and Andrés are in love but still live with their families. They dream of finding a quiet place to be alone together, and they want to get married and raise a family. Sadly, the society they live in is not equipped to cater to their desire for more independence. In spite of the training they receive on becoming “responsible adults,” all four of them remain dependent on others to make decisions for them, much to their frustration.
