This is the story of Iris, a ballet dancer who is driven to start the search for Otis, an old friend she hasn’t seen in years. Her investigations take her to a psychiatric hospital where Otis has been hospitalized for the past ten years. Once there, the people in charge of the center warn him that his friend has developed a mysterious alternative personality, which however they have managed to block thanks to drugs.
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In the sweltering heat of the deep south, Slim Manning, a topless club owner, wants a better life for his teenage daughter, Tracy. There’s only one problem. She wants to follow in the footsteps of her mother, Audrey, a topless dancer at Slim’s club. Slim (now estranged from Audrey)will not stand for it, until Tracy, now eighteen, threatens to go to a tougher, more exotic club down the street. But Slim has a terrifying secret that Audrey and Tracy don’t know. Two dancers from his club have been found brutally murdered. The local Sheriff has warned Slim that the towns topless clubs are the stalking grounds for this new savage killer. Slim suddenly must open the closet to his past, dusting off his military sniper rifle to face not only a shadowy murderer, but the fundamentalist religious forces and underworld thugs of a small southern town threatening to rip his world apart. Written by Selig, M.D.
London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.
A chilling story of terror, murder and unknown evil that shocked even experienced real-life paranormal investigators Ed and Lorraine Warren. One of the most sensational cases from their files, it starts with a fight for the soul of a young boy, then takes them beyond anything they’d ever seen before, to mark the first time in U.S. history that a murder suspect would claim demonic possession as a defense.
Two down and out strangers are brought together by mysterious letters into a safe house as the world around them is infected by an experimental virus that transforms the living into the living dead. She is a former prostitute hiding from the world. He is a former assassin turned priest who has renounced violence. Together they must unravel the mystery of the letters if they hope to survive.
Key of Brown a thriller, action, drama, tells the story of one harrowing night in the life of “Bernadette Lawson” a retiring call girl, recently released from prison and serving out the remainder of her sentence on monitored house arrest. In need of cash, she can’t resist doing a, quick, one hour, five hundred dollar favor for her ex-madam but the night turns deadly when the client turns out to be a notorious serial killer of prostitutes, wanted by the F.B.I. and transporting a kilo of high quality brown heroin.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
After being incarcerated, a woman enacts an elaborate plan of revenge on the ruthless female drug lord responsible for her family’s demise.
He wanted to become Someone, and he became somebody else.
Víctor is a child who is found casually roaming by a country road. His mother, Patricia, a well-known lawyer specialist in media trails, realizes about it and she goes to the hospital, where explains to the police that Víctor is deaf, and he’s unable to talk, speaking using sign language. In the police headquarter Víctor explains that he was kidnapped by a strange man when we was entering to the school. The police identifies a possible suspect named Charlie, a man with money troubles and an 8-months pregnant wife who can’t explain where he was when Víctor was kidnapped from the school. Seeing the inability of the police to arrest Charlie after some failed attempts to meet Víctor, Patricia contacts Raúl, Patricia’s former love interest and Víctor’s father, to ask him that he or a friends of him threat seriously Charlie. But when is discovered that Víctor made a false identification, Patricia tries to stop Raúl, starting a chain of events which consequences will be out of control…
An inspirational true story. On what seemed like any other day, Elders Travis Tuttle (Corbin Allred) and Andrew Propst (Maclain Nelson) are approached by Nikolai (Nikita Bogolyubov) to teach a friend. But then the missionaries experience the unimaginable – they are kidnapped, beaten, and held for ransom. While their families, friends, and the world pray for their safe release, Tuttle and Propst are tested physically, emotionally, and most of all spiritually.
