Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.
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Actors Rob Byrdon and Steve Coogan continue their travelogue series with a visit to Greece.
Làn fhìrinn na sgeòil. The truth is in the story. When a young man, Angus, visits his dying Grandfather in hospital he cannot hold back his boyhood quest for the truth – the truth behind the death of his parents and the truth behind his Grandfather’s ancient, incredible, fearful stories. Stories from the whole swathe of Gaelic history of poisoned lovers, bloody revenge, water-horses and Spanish gold. His Grandfather hijacks Angus’ life for one last time leading him to one of Scotland’s most treacherous mountains, The Inaccessible Pinnacle on the Isle of Skye, and an ancient truth he never expected to find. Seachd: The Inaccessible Pinnacle is the first Scottish Gaelic feature film.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk, who joined Freddie Mays’ gang, a man he both envied and ultimately betrayed.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
In a rest home for elderly people, a daughter reads her mother’s diary. Soon events that are mentioned in the mother’s diary begin to happen to the daughter.
In this chilling sequel to 28 Days Later, the inhabitants of the British Isles appear to have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the isles, convinced the danger has come and gone. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
This remake of the 1946 movie of the same name accounts an affair between a seedy drifter and a seductive wife of a roadside cafe owner. This begins a chain of events that culminates in murder. Based on a novel by James M. Cain.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana’s infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.