After midnight on a bridge not linking neighborhoods but dividing them, eighteen year old basketball phenom Marcus Jennings was taken out. Friends remain silent, giving power to a killer, binding them for life. Celebrity attracts the good the bad and the ugly, not always clearly defined, but in the end, it was what they all had in common that ended Marcus’s life … fear. Fear of staying, fear of leaving and the fear of appearing weak. It’s the choices we make.
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After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.
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The story follows Jamie, a troubled young man with a birthmark on his face, which has left him feeling isolated and fearful, hiding from the world outside. He lives in the East End of London, an area notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, Jamie discovers the terrifying truth.
When a classmate is accidentally killed, real-life sisters Misty and Chelsea Mundae have to work together to try and hide the body. At a remote cabin in the hills they encounter Juli, who tests their loyalty.
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Stindberg’s “A Dream Play.” She talks of her hatred for her mother, now dead, an alcoholic actress, who was Vogler’s star and lover. Vogler falls into a reverie, remembering a day Anna’s mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
An unknown virus begins to spread infecting the local population almost instantly, but footage found by the CDC of one man’s survival may just help them find a cure.
After years of “manually” trying to conceive, John and Katie Kelly put their bodies, wallet and marriage through the ringer of modern infertility treatments.
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