A woman (Lynn Whitfield) dying of kidney disease learns that God works in mysterious ways after convincing her son (Michael Jai White) to help a repentant ex-con (Byron Minns) whose unexpected presence prompts a startling deathbed confession.
You May Also Like
In an attempt to win back the public’s interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.
Madea dispenses her unique form of holiday spirit on rural town when she’s coaxed into helping a friend pay her daughter a surprise visit in the country for Christmas.
Westerplatte is a small peninsula at the entry to the Gdańsk Harbour. Before World War II, it functioned as a Polish ammunition depot in the Free City of Danzig. Its crew consisted of one infantry company and a group of civilians, 182 people in total. It was the only Polish guard-post at the mouth of the Vistula River, with as little as five sentries, one field cannon, two anti-armour guns and four mortars. The first shots of World War II were fired there. This film tells the story of Westerplatte’s courageous defenders.
Being alone is a skill no one should learn by themselves.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
In a last-ditch effort to save his career, sports agent JB Bernstein (Jon Hamm) dreams up a wild game plan to find Major League Baseball’s next great pitcher from a pool of cricket players in India. He soon discovers two young men who can throw a fastball but know nothing about the game of baseball. Or America. It’s an incredible and touching journey that will change them all — especially JB, who learns valuable lessons about teamwork, commitment and family.
The long awaited sequel to R. Kelly’s “Trapped in the closet” series.
Legendary director Chang Cheh teamed his latest big star, Alexander Fu Sheng, with future Venoms Lo Meng and Kuo Chue to create another winner in his vaunted filmography. Joining them were the top supporting actors and the prettiest starlets, for an entertaining, exciting tale of a kung-fu blacksmith taking on four famous robbers while a villainous gambling boss plots to destroy them.
A young Asian immigrant worker in Moscow tried to track down her baby, whom she abandoned at the hospital.
In the 1990s’ Allahabad, a brash college student gets drawn into an uproar surrounding a critical bill that will affect India’s education system.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
