When Clara discovers her deceased mother’s revered ‘Book of Dark Whispers’, she can’t stop reading the strange stories within its mystical pages. Each weird tale reveals a new facet of the twisted human psyche… or the not-so-human, as the case may be. From the horror of grief to sharehouse living disaster, from existential dread to right-swiping vampires, there’s something for all tastes; as long as those tastes are twisted!

Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.

A Madison Avenue executive, Amy, discovers an unusual Christmas surprise when she inherits her Aunt’s hometown bakery. The real surprise comes when she learns the other half of the bakery was left to her long-ago boyfriend, Jack. Unresolved personal issues resurface between them, as the exes return home to co-manage the store, along with its traditional holiday cookie bake-off.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.

Maddy is 16 years old. She lives alone with her sick grandmother in a rundown farmhouse off a highway in Nowheresville, Texas. She does her best to take care of her mute, wheelchair-bound grandmother, but life at home is lonely and depressing. So, like everyone else within a 20 mile radius, Maddy spends her free time at the only place with half a pulse- the local roller rink.

All that exists now is clubs, drugs, pubs and parties. I’ve got 48 hours off from the world, man I’m gonna blow steam out of my head like a screaming kettle. I’m gonna talk cods hit to strangers all night. I’m gonna lose the plot on the dance floor, the free radicals inside me are freaking man! Tonight I’m Jip Travolta, I’m Peter Popper, I’m going to Never Never Land with my chosen family, man. We’re going to get more spaced out than Neil Armstrong ever did. Anything could happen tonight, you know? This could be the best night of my life! I’ve got 73 quid in my back burner. I’m gonna wax the lot, man. The milky bars are on me! Yeah!

Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers’ collaboration – elaborately staged numbers from their plays, characters’ visits to night clubs, and impromptu performances at parties. We also see Larry’s scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard’s successful wooing of Dorothy Feiner.

After disappearing for over a week, River tries to put her fragmented memory back together, while teetering on the brink of insanity and questioning what’s real vs a dream.

The true story of Australia’s cat-and-mouse underground mine warfare – one of the most misunderstood, misrepresented and mystifying conflicts of WW I. It was a secret struggle BENEATH the Western Front that combined daring engineering, technology and science, and few on the surface knew of the brave, claustrophobic and sometimes barbaric work of these tunnellers.

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.

PATHS OF THE SOUL follows a group of Tibetan villagers who leave their families and homes to make a “bowing pilgrimage” — laying their bodies flat on the ground after every few steps — along the 2,000-kilometre road to Lhasa. Though equally devoted to the trip, they all have different reasons: one traveller needs to cleanse bad family karma; another, a butcher, wants to wash the animals’ bloodstains from his soul; and another pilgrim, sensing the end is near, hopes that prayers and prostrations will break the chain of cause and effect determined by his life’s actions. During their months on the road, a baby is born, they meet fellow travellers, and their resolve is put to the test by harsh snowstorms and physical fatigue. But no hardship can deter them from their ultimate goal — not even the threat of death, a very real danger in this high altitude where a common cold can take one’s life.