After learning of an urban legend in which a demented serial killer named SMILEY can be summoned through the Internet, mentally fragile Ashley must decide whether she is losing her mind or becoming Smiley’s next victim.
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Driving, lost and tormented in the night, primal fears of the dark and the unknown give way to fear that you have let the evil in, or that it is already there.
A young museum curator Isabelle (Katie Goldfinch) is sent to look at an ancient artefact, discovered in the basement of a stately home in Shropshire. Welcomed into the sprawling manor house by a seemingly hospitable family; Karl (Larry Rew), his wife Evelyn (Babette Barat) and their beautiful daughter Scarlet (Florence Cady), but all is not what it seems, as a dark and terrifying secret hangs over them.
While Havana is full of zombies hungry for human flesh, official media reported that the disturbances are caused by dissidents paid by the United States. Panic seizes all until Juan comes to the rescue: he discovers he can kill the undead destroying his brain, and decides to start a small business under the slogan “We kill your loved ones.”
Two inexplicably coherent zombies awake amidst a zombie attack and decide to take a road trip to find the one’s lost love, unaware they are being chased by the agents of a ruthless company with it’s own agenda.
Princess Jasmine grows tired of being forced to remain in the palace, so she sneaks out into the marketplace, in disguise, where she meets street-urchin Aladdin. The couple falls in love, although Jasmine may only marry a prince. After being thrown in jail, Aladdin becomes embroiled in a plot to find a mysterious lamp, with which the evil Jafar hopes to rule the land.
Shot entirely without dialogue and filled with suggestive violence and psycho-sexual imagery, it’s like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt.
In modern-day London, three men (Craig Ferguson, Jimi Mistry and David Morrissey) and three women (Olivia Williams, Jane Horrocks and Catherine McCormack) fall in and out of love and back again, to the Greek-chorus accompaniment of two cab drivers, who engage in an ongoing conversation about sex. A winning romantic comedy, Born Romantic is the second feature by British writer-director David Kane of This Year’s Love fame.
Martin Taylor has totally lost touch with his family. He has no clue who his teenage daughter’s friends are, why his son only communicates with an electronic sign outside his bedroom door, or why his youngest child only watches faith TV. Convinced the family needs to reconnect, Martin surprises the wife and kids with a little experiment-he locks them in their own home with no power, no heat, no running water, and absolutely no contact with the world outside! The sudden holiday staycation isn’t what the Taylors had in mind for the weekend, but they’ll have to team up to prove they can survive Dad’s wacky mission. With a heartfelt message and some persistence, one little member of the family helps put their priorities back in the pews, because they’ll need all the faith they have to get through this!
Masami is a guitarist who dreams of his band “Rhythm Head” winning the Grand Prix at the Japan Music Carnival. History, and the warlords of 16th century feudal Japan are the very last thing on his mind. But when Rhythm Head are performing in Nagoya, a mysterious lightning strike causes not only a power blackout, but also a “time slip”, in which two of Japan’s preeminent samurai-era figures, Nobunaga Oda and Hideyoshi Toyotomi are transported to present day Japan. To Rhythm Head’s manager, the duo are the perfect vehicle for the band to transition to an idol group, increase their chances of becoming famous, winning accolades and taking away the Japan Music Carnival top prize. Could this be the beginning of a new type of music, courtesy of a brand new band Samurai Rock?
