A young girl discovers a secret map to the dreamworld of Slumberland, and with the help of an eccentric outlaw, she traverses dreams and flees nightmares, with the hope that she will be able to see her late father again.
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A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters (the Tibetan Lamas) who were killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates competing in the tournament: a Thai boxer, a yoga master, and a kobojutsu user.
Kirk is enjoying the annual Christmas party extravaganza thrown by his sister until he realizes he needs to help out Christian, his brother-in-law who has a bad case of the bah-humbugs.
The Independent is a mockumentary comedy film made in 2000, directed by Stephen Kessler, starring Jerry Stiller as an independent film maker, who makes little-known B movies with titles like Twelve Angry Men and a Baby. The film spoofs independent directors and independent film. The film features Janeane Garofalo, Max Perlich, and cameos by Anne Meara, Ron Howard, Roger Corman, Peter Bogdanovich, John Lydon, Ben Stiller, Andy Dick, Fred Dryer, Jonathan Katz, Fred Williamson, Karen Black, Nick Cassavetes, Julie Strain and adult film actress Ginger Lynn. The fictional career of Morty Fineman (Stiller) is said to have made 427 films. It is not specified as to whether he directed them all, or if it refers to films produced or written by the Fineman character.
A very successful stock broker is called to court to testify against a mob boss who was into some inside trading. Andrew Morenski must become Max Hauser and go back to high school for protection from the mob.
In the small town of Crownport local attorney Bill Adams is trying to break up the ring of corrupt town officials by running for mayor. The cards seemed stacked against him when he gets help from a visiting hunter who, unknown to Adams and the rest of the town, is actually vacationing supreme court justice John Josephus Grant.
Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.
In 2035, where robots are common-place and abide by the three laws of robotics, a techno-phobic cop investigates an apparent suicide. Suspecting that a robot may be responsible for the death, his investigation leads him to believe that humanity may be in danger.
Jaded 74-year-old lizard Leo has been stuck in the same Florida classroom for decades with his terrarium-mate turtle. When he learns he only has one year left to live, he plans to escape to experience life on the outside but instead gets caught up in the problems of his anxious students — including an impossibly mean substitute teacher.
A troubled Iraq War veteran struggling to reintegrate into society sets out on a cross-country journey with the hope of reuniting with his young son.
Rooh Baba ventures into a haunted mansion in the kingdom of Raktaghat in West Bengal, where he confronts two vengeful spirits, both asserting to be Manjulika.
Hipsters beware: there is no irony in Hardwick’s affinity for Captain Picard, Comic-Con and the Atari 2600. Filmed at Skirball Center for Performing Arts in New York City, “Chris Hardwick: Mandroid” features candid comedy tales that cover virginity, chess club, shark vaginas, awkward childhood, awkward adulthood (which in this case is an extension of awkward childhood) and a myriad of other topics which may or may not include Quidditch. From unearthing his old MySpace page to the futility of attempting to delete his Facebook account, Hardwick displays his comical approach to all things trivial in the digital era, all while #hashtagging completely out of context.
Scatterbrained Polly gets a job as a secretary in Gabrielle’s art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.