Leo (Peter Lanzani) is the wrong man in the wrong place at the wrong time. After taping a murder and keeping the evidence he runs away to stay alive and, in order to survive, he has to cover up himself. Under a new identity he will become an orthodox Hasidic Jew. A french ruthless killer, Duges (Gerard Depardieu) and his associates López (Santiago Segura) and Harken (Hugo Silva) will hunt Leo. Their nonstop chase has only one exhilarating speed: all- out. Time is running out and his enemies are getting closer. Now Leo a ragtag bunch of misfits will face the biggest challenge of their lives.
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Based on the semibiographical novel by Jun Miura, Oh My Buddha is the classic summer coming-of-age story that is burned to a crisp with teenage angst, youthful dreams and that warm sense of folk zeitgeist of the 70s. The narrator is a first-year student at an all-boys Buddhist school. Jaded by his dull, ordinary life, he longs for the type of creative, liberal and forward life his idol Bob Dylan leads, writing rock songs alone in his room, imitating his hero’s signature croon, until one day he got invited on an island trip of sexual liberation with his fellow liberal friend.
A cannibalistic rapist rises from the grave as a flesh-eating zombie sex maniac! Two Seattle cops, a satanic cult and a flying demon fetus try to stop the lust-crazed ghoul before he can kill again!
In the Ming Dynasty, there lives four orphans, Ying, Sao, Yuanlong and Niehu. Raised in Taoyuan Village, the four are as closed as brothers. Their exceptional martial arts skills allows them to reach the highest rank within the imperial guards. After the four successfully killed the Japanese troop leader, the Emperor orders Ying to escort the Golden Wheel of Time from Sindu (now India) back to the capital, which is said to have the power of time travel and foresee into the future. Now in 2013, Squire Tang, funded by a mysterious financer, digs up three ancient icemen from the outskirt of China; they are Ying, Sao and Niehu. As he is transferring the icemen to Hong Kong for further studies, the vehicle involves in a traffic accident which, unexpectedly, defrosts Ying…
When Valerie returns home from prison years after killing her neighbour in an apparent drunk driving accident, she wants nothing more than to move on – until the deceased’s son shows up at her door and it becomes clear that the past is not easily forgotten.
When an outcast cop receives a lead to the location of a notorious assassin, he sets out to find him but walks directly into a trap. Beat up and knocked out, he wakes up in Breakdown Forest, the most dangerous place on earth; a large-scale battle arena in the wilderness. It’s a fight to the death and only the strongest will survive.
A mild-mannered secretary discovers that she has a talent for murder as she ascends the corporate ladder.
“Love Matters” is a movie revolving around three main protagonists – 52-year-old Tan Bo Seng, his 17-year-old teenage son Benny and 36-year-old Jeremy, Bo Seng’s ‘adopted’ brother – and their accidental journey in seeking and keeping love and happiness. Bo Seng (Henry Thia) who leads a routine life attempts to revive the passion with his wife Jia Li (Yeo Yann Yann). Jeremy (Jack Lim) lives a colourful life; with “Never to commit” as his motto for love. Benny (Alex Leong) has just started school life and his only distraction is his crush, Jennifer (Natalli) who is his classmate’s girlfriend.
Marvin (Marvin Gurewitz) and his sons (Alex Karpovsky, Stephen Gurewitz) go on a weekend camping trip, but things slowly unravel when past grudges are revealed.
Patriots jerseys, angry Yankees fans, skinny fat guys with their shirts off, and don’t touch a man’s back fat! Corey Rodrigues is a comedian’s comedian. He makes audiences and his comedy peers alike burst out laughing.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
