When six college kids in a sleepy Southern town are assigned a group project to rediscover a moment in history, one of them sets in motion a horrific fate when he proposes they head into the Georgia backwoods to tackle the legend of Emily Burt, the Talbot County werewolf.

After being left for dead, Anna Walker awakes in the hospital to find she has full blown amnesia.

Amelia, a respected wildlife journalist, is tasked with covering baby manatees in Puerto Rico about to be released into the wild, when she meets a handsome conservationist who helps her discover all the treasures the island has to offer.

In 1968 the lives of a retired doorman, hotel manager, lounge singer, busboy, beautician and others intersect in the wake of Robert F. Kennedy’s assassination at the Ambassador Hotel in Los Angeles.

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For an important case, a policeman needs the help of his former best friend to impersonate the daughter of a foreign dignitary in a beauty pageant.

Reclusive and controversial author Bruce Cogburn is drawn out of hiding by an obsessive fan, forcing the novelist to confront a past that he thought he could escape, and to account for events set in motion by his bestseller decades earlier. Cogburn’s search for who is behind the manipulation and mental torment he encounters leads to an emotional roller-coaster ride full of fear and danger, where things are not always as clear as they seem to be, and where past deeds can have dire consequences.

The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

Oilman Paul Sturges’ idyllic family vacation turns into a nightmare when they encounter a ferocious megalodon shark that will stop at nothing to protect its territory. Stranded and under constant attack, Paul and his family must somehow find a way to get his family back to shore alive before it strikes again in this epic battle between humans and nature.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

To avenge her mother’s death, Pixie masterminds a heist but must flee across Ireland from gangsters, take on the patriarchy, and choose her own destiny.

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix’s sister Kelly, he follows his ex into the school’s spring musical. Thus ensues a love triangle loosely based upon Shakespeare’s “A Midsummer Night’s Dream”, where Berke is only to find himself getting over Allison and beginning to fall for Kelly.