On a cold November day in 1983, beer magnate Alfred Heineken and his chauffeur Ab Doderer are abducted. What follows is the most infamous kidnapping case the Netherlands have ever known.

Four friends visit a rural locality of Chile, are brutally attacked by a man and his son. After not finding help in the town, they decide to confront these men with the help of a pair of policemen. But in this way, they will discover that their attackers have in their blood the direct legacy of the darkest period of Chilean history and will have to face the most brutal enemy.

Three hooded Eastern-European criminals burst into a home in a Madrid gated community, holding the family hostage in its own home, and forcing the father to empty his credit cards. But the family fights back – brutally.

Appu is a young homestay owner in Goa. He lives with his father, mother and younger sister. His father Baba is a retired goon who got tricked and surpassed by Abusi one of his followers. Amidst all the problems caused by his friend Macroni, Baba and Abusi, a young Malayali girl Zaya comes into his life on a Russian New Year eve. How her relationship with Appu affects his life is the soul of the film.

A couple hiking Mount Whitney runs into a group of mountain men who develop a dark obsession with the young woman.

Ever since her father was murdered, Taylor has had to take care of her agoraphobic mother, Ann Marie, and tend to the family farm. Ready to start her own life, she prepares to tell her mother that she is going to move away with her boyfriend Blake at the start of the new school year. However, her plans are put on hold when a looming storm threatens to destroy the farm. As she prepares for the storm, a stranger knocks on the door asking for a place to stay because he has run out of gas. Reluctant to trust the stranger, Taylor can’t help but believe he is connected to her father’s death. Now she must brave the storm while keeping her mother safe from this mysterious man.

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

A beautiful schizophrenic woman is pushed over the edge by her husbands elicit affairs and when her hallucinations become reality the Devil comes to take his due. Is Miriam insane or has the Devil come to collect on her promise?

After decades of terror, two deadly street gangs reach a delicate truce and young MJ (Silkk the Shocker) sees a way out of the hood once and for all. Only Corrupt (Ice-T) stands in MJ’s way, resulting into a violent and brutal roller coaster ride of action!

Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola’s run.

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A story of revenge from beyond the grave, centering on a group of teenagers who unknowingly supply the catalyst for the murdered Jonah’s return from the grave.