Stopping briefly in a small Texas town, an itinerant race car driver finds that his stock car, on a trailer behind his motor home, has just been quickly and expertly stripped. He chases down the miscreants, who turn out to be six orphan children. He has no recourse to the law, for the corrupt local sheriff takes most of the proceeds of their thievery in exchange for not putting them in an orphanage. They are charming rogues who are in turn charmed by him. Disliking their arrangement with the sheriff, they stow away with him, and he finds himself becoming a reluctant stepfather. Thanks to their enthusiasm and incredible mechanical know-how, he begins to make a name for himself on the racing circuit. But the sheriff doesn’t take kindly to losing his extra income…
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Sohrab, a provincial young writer, is lost in the desert on the way to Tehran to get a publication license for his book on old Persian poetry, but the trip involves some bizarre events.
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Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he’s having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.
A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)
