Deloris Van Cartier is again asked to don the nun’s habit to help a run-down Catholic school, presided over by Mother Superior. And if trying to reach out to a class full of uninterested students wasn’t bad enough, the sisters discover that the school is due to be closed by the unscrupulous local authority chief Mr. Crisp.
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A rich businessman and a young woman are attracted to each other, but he only wants an affair while she wants to save her virginity for marriage.
What does it take to admit your overprotective mother is right? Annabel, young and free-spirited living in San Francisco, faces this awful truth when her mother, Joan, unexpectedly visits from her small Midwestern hometown. When Annabel’s elderly neighbor passes away, Joan insists it’s murder. Annabel dismisses the theory as Joan’s usual hysteria about big city living until Annabel herself stumbles across another body right before it disappears. Without evidence for the police, Annabel blunders through a comical investigation with Joan as her only ally and a murderer who may be on to their amateur sleuthing.
On the eve of their wedding, Alison gets cold feet and decides to break up with her fiancé Phil. But rather than face the embarrassment of calling off the ceremony, Alison suggests to Phil that they proceed with a sham wedding. Phil is more than game to try, secretly hoping that a surprise gift he has for Alison will ultimately change her mind. Yet once the guests begin to arrive, more complications ensue than either of them could have ever imagined – even if they did know their wedding was bullshit.
Venkatasamy (Raj Kiran), a helpful villager, comes to the city to spend time with his grandson Tamizh (Vimal), an IT professional whose dream is to settle in the US. Venkatasamy’s straight talk and rural practices initially earn him the enmity of Tamizh’s neighbors and girlfriend, Karthika (Lakshmi Menon). Eventually, things begin to change and he begins to win hearts. But by the time the city folks realize his value, tragedy strikes…
The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.
Junior police constable Karl-Heinz has just been given a telling-off by his boss for allegedly botching a major operation against car thieves. Now he senses an opportunity to rehabilitate himself when a gang of high-flying highway speeders catch his eye during a traffic check. Karl-Heinz decides to go undercover with the gang and gets to know their colorful characters. He soon takes more pleasure in the illegal speeding than is good for his health and career.
The 14-year-old girl Gaja, who lives in a separate family, confronts envious classmates, experiences identity theft on a social network, and learns what true friendship means. During holidays, her father takes Gaja and her teenage sister to a seaside camp, but the vacation has not yet begun.
Candy and Lonnie Earl are just crazy about each other. The problem: she’s married to Roy and he’s married to Darlene. So far it’s been a secret affair. But that’s about to change, because this foursome is driving cross-country and headed for some big surprises.
