ECSTASY is a contemporary and relevant film about how drugs transcend all borders of society and affect every facet of our lives. But when it leaves it takes away your soul. A new party drug arrives on the rave scene in a college town and is consumed openly by young people. It’s irresistible making you feel invincible, beautiful, intelligent and loved. This haunting psychological thriller centers around a mother’s struggle to save her daughters from going down the same dark path she once took, a handsome jock’s (Charlie Bewley, from “Twilight – New Moon”) misplaced faith in God stemming from the temptations that surrounds him, and three college girls horrific experience with their drug-induced guilt, fears and demons

When Mario begins robbing drug dealers in his neighborhood he begins a war that threatens the very fabric of that community

Meanwhile concerns Joe Fulton, a man who can do anything from fixing your sink to arranging international financing for a construction project. He produces online advertising and he’s written a big fat novel. He’s also a pretty good drummer. But success eludes him. For Joe can’t keep himself from fixing other people’s problems. His own ambitions are constantly interrupted by his willingness and ability to go out of his way for others.

Sam Montgomery is a tomboyish, unpopular girl at school. She has been text messaging a somebody named Nomad for a few months and he asks her to meet him at the Halloween dance at 11:00 in the middle of the dance floor. The only problem is, she must get back to the diner, ran by her wicked Stepmom Fiona by 12 sharp because she is not supposed to be there. Before Nomad can found out who she is, she must leave with her best friend, Carter driving her back to the diner. After that night, everything in Sam’s life goes wacko!

Mathieu owes everything to his friend Vincent : his house, his job, and even his life, ten years ago. With their wives, they are an inseparable quartet, and live the easy life on the French Riviera. But Mathieu discovers Vincent is cheating on his wife.

While on assignment covering a volcanic eruption journalist Russell Woods’ life is shattered when his wife is killed in the ensuing carnage. Grieving he travels to the small village in Italy where she was born. There he is followed by a curious young girl Angela whom the townspeople believe is cursed by the devil. Despite their warnings he feels a strange connection to her and believes her odd behaviour is somehow linked to the death of his wife. But when things turn otherworldly Russell realises that bigger events are unfolding. Something supernatural has come to this small village and Angela is the key.

Martin, a mercenary, is sent from Europe by an anonymous biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger.

A young woman struggles to defend her indigenous heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

Two teams are in a heated race for the money and the honor that comes with breaking the land speed world record.

Set during the years between the “Rebecca” trial and the writing of Du Maurier’s short story “The Birds”, including her relationship with her husband Frederick ‘Boy’ Browning, and her largely unrequited infatuations with American publishing tycoon’s wife Ellen Doubleday and the actress Gertrude Lawrence.

Ben and Maura have been married for years, and they are in a rut…so much of a rut that they are contemplating if it would be better to live separate lives. That’s when their two teenage children step in and scheme to try to get them back together and make them realize how much they still need each other.