The world of film and television is mad about dead young women: thrillers and crime dramas present a succession of attractive, partially clad female corpses. In this dance film, Amanda Kramer takes us into a cardboard factory that logs such corpses, complete with torn stockings and photogenic fake blood.
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A close up observation of trees in Autumn, Winter, Spring and Summer, filmed in single stop frame motion on a clockwork Bolex using a 75mm and 25mm macro lens, where alternating pulsations of 24 still frames per second in image time, translate into optical syncopation. Each reel consists of over 3,500 images with mathematically planned sections, improvised cross rhythms, variations in colour, density, tree species and shape, with sequences following the Fibonacci series (Kren’s ‘Golden Section of film’) and countered with staggered 2:3; 4:3 rhythms. Part scored, part random and rough edged echoing the Japanese musical phenomenon. “wind in the trees”…
After a mutant peculiar pumpkin blows up on the Murphy’s carrot lawn, zombie green beans begin fighting the immediate place, and it’s up to the Creatures to preserve the evening again.
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In an America where everyone has superpowers, Andy, the only kid who doesn’t have one, struggles to escape a group of bullies led by Sofia, who just wants to make Andy’s life more miserable than it already is. But what begins as an ordinary ‘everyday’ beating ends up spiraling out of control, putting our hero in a life-or-death situation where courage, leadership and sacrifice will guide Andy — and Sofia — to discover the true meaning of “being special.”
Undertakers wait on a family’s final farewells, as one son struggles to say goodbye to his dead father.
During the early years of World War II, a bomb from a German airplane uncovers the corpse of a strangled woman.