A phenomenon of popularity in the 1960s, Wilson Simonal saw his meteoric career fall apart when he was accused of collaborating with the Brazilian military dictatorship.
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Two successful women, sick and tired of dating and relationships, decide to keep two young men in their pool house for strictly sexual purposes.
Everyone in the Osayande family worries about Isoken. Although she has what appears to be a perfect life – beautiful, successful and surrounded by great family and friends – Isoken is still unmarried at 34 which, in a culture obsessed with marriage, is serious cause for concern. Things come to a head at her youngest sister’s wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze. Osaze is handsome, successful and from a good family, making him the perfect Nigerian husband material. But in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner. The only problem is, not only is he not an Edo man, he is Oyinbo (Caucasian). Isoken is a romantic dramedy that explores cultural expectations, racial stereotypes and the bonds that unite families in a touching, dramatic and comedic way.
A psychological drama that follows four high schoolers down a dark ride. As each struggle separately in their own lives they will soon discover that their lives are interconnected in ways they never would have guessed. They also effect each other in unimaginable ways which have devastating consequences. As they all lay bloody on the floor of their high school, only one question can be asked, “What could have been done to prevent this?” Pivot Point follows each of these characters on an unforgettable journey as they each plod down a lonely road. Only time will tell if they can reach out before it is too late.
A gifted but insecure woman is in for a transformative experience when she enlists the help of an enigmatic con artist to recover her stolen car
When Marie’s boyfriend proposes to her in front of his entire family, she doesn’t know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.
Sue is back on the dating scene. She meets a mysterious biker called Ron at her brother’s funeral and sparks fly. But when Ron introduces her to her social media-influence son, Anthony, Sue finds herself in an increasingly surreal battle of wills with this ambitious teenager who, despite showing no signs of talent, is convinced his dance troupe ‘Electric Destiny’ is tipped for stardom. Will she find the purpose and imagination to bring this little unconventional family together for a chance of happiness?
Kenneth Bianchi, one of the two serial rapists and killers who terrorized the Los Angeles area in the late 1970s, is giving police station interviews to psychiatrist Samantha Stone, who has disquieting lifestyle issues of her own. It falls to her to delve into the details of the case to determine the veracity of Bianchi’s claims of multiple personality disorder, but in so doing, she is forced to relive the horrific crimes, one of which occurs at her very doorstep.
All the people surrounding her refuse to express their feelings and emotional boundaries. The resulting everyday life is characterized by ruthlessness: Even friends reduce each other to their appearance and shamelessly take advantage of each other. Minori runs against this by attacking ignorance whenever she encounters it, whatever the consequences might be.
A misanthropic 20-something gay visual artist, Mark, finds himself unwittingly in New York City after he lies to his mother about a job at a prestigious art gallery. He then takes a survival job babysitting for 6-year-old Milo, whose faith in Mark is empowering and ultimately, transformative.
