The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
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Corey, who works in her mom’s antique shop, puts on a Christmas pageant in honor of her late father. When a man named Ryder visits her store, she wonders if she should have left town to follow her dream of becoming a theater director.
After thirty years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.
A conservative Midwest businessman ventures into the sordid underworld of pornography in California to look for his runaway teenage daughter who is making porno films in the porno pits of Los Angeles.
A shocking secret, ex-lovers and the arrival of an outsider shake things up for Liz as she celebrates her birthday at a lesbian-owned resort.
Set in a small politically unstable Latin American country, the story follows the half English and half Latino Dr. Eduardo Plarr, who left his home to find a better life. Along the way he meets an array of people, including British Consul Charley Fortnum, a representative in Latin America who is trying to keep Revolution from occurring. He is also a remorseful alcoholic. Another person the doctor meets is Clara, whom he immediately falls in love with, but there is a problem: Clara is Charley’s wife.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
1965: Mr. Jaffee is a curious but closeted married man, who decides to take a walk on the wild side one night over to the local bath house located in Times Square, New York. When he is a approached by Thomas, a swinging regular who takes an interest in Mr. Jaffe as the new face “on the scene”, a deep and philosophical discussion about marriage, homosexuality and other social taboos begins to unexpectedly unfold. The two become emotionally intimate in a very short time, with no sexual contact of any sort, while everyone around them are screwing like rabbits.
Julia Lambert is a true diva: beautiful, talented, weathly and famous. She has it all – including a devoted husband who has mastermined her brilliant career – but after years of shining in the spotlight she begins to suffer from a severe case of boredom and longs for something new and exciting to put the twinkle back in her eye. Julia finds exactly what she’s looking for in a handsome young American fan, but it isn’t long before the novelty fling adds a few more sparks than she was hoping for. Fortuately for her, this surprise twist in the plot will thrust her back into the greatest role of her life.
John and Mary meet in a singles bar, sleep together, and spend the next day getting to know each other.
ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn’t let her go.
