‘Moscou’ is a densely populated working class neighbourhood on the outskirts of Ghent, Belgium. Matty, mother of three, bumps her car into a truck on the parking lot of a supermarket. Johnny climbs down from the cabin. He is infuriated by the dent in his front bumper and yells at Matty. Although impressed by the accident, Matty fights back with sharp words. Their discussion turns into a row, and the police have to intervene. Matty goes home, the trunk of her car dancing up and down. Back in her apartment, Matty takes a hot bath to recover from the afternoon’s emotionswhen the phone rings. It’s Johnny, apologizing for his behaviour on the parking lot. Matty tells him to stay out of her life. A dramatic comedy begins about a woman whose soul is full of dents and bruises.

Ewald moved to Romania years ago. Now in his 40s, he seeks a fresh start. Leaving his girlfriend, he moves to the hinterland. With young boys from the area, he transforms a decaying school into a fortress. The children enjoy a new, carefree existence. But the distrust of the villagers is soon awoken. And Ewald is forced to confront a truth he has long suppressed. Sparta is the brother film to Rimini (2022), and the conclusion of Ulrich Seidl’s diptych about the inescapability of the past and the pain of finding yourself.

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.

Maura Mackenzie (Carolina Bartczak) believes the world is hers to conquer. With her career as a concert pianist gaining momentum, it seems her beauty and talent will be strong enough to mask the demons that threaten to engulf her. But with an absent husband (Chris Jacot) and two young daughters at home, her precarious sanity begins to unravel until one summer day, burning with manic energy, she makes a terrible mistake — a mistake that will change her life forever. The consequences for Maura are catastrophic: her ambitious husband runs for his life, taking the children with him, leaving Maura to lapse into a full-scale breakdown. Life as she knew it is now over. With the help of her father, Ian (Peter MacNeill), Maura works to reclaim her life and waits for a miracle to bring her daughters home. But when the fates align, can the past be forgiven?

The visionary dreams of three curious and adventuresome young boys become an exciting reality in Explorers, the action-fantasy from director Joe Dante, who combines keen humor, warmth and fantasy with unexpected twists. In their makeshift laboratory, the boys use an amazing discovery and their ingenuity to build their own spaceship and launch themselves on a fantastic interplanetary journey.

An unconventional love story between an antisocial teenager, a Scotsman and a five-year-old girl.

Besnik is a lonely shepherd and devoted Muslim, haunted by unfulfilled love. He is the son of a Catholic mother and formerly Communist father whom he takes care of in an Albanian village in the mountains. Up here, Christians and Muslims have found a way to co-exist peacefully. Even after the discovery that the old mosque used to be a church and that the building was actually shared by the two religions in the past, the calm of daily life can be preserved – with Besnik’s help. After the death of his father, however, drastic changes threaten Besnik’s multi-faith family and the shepherd is forced to seek his own path.

A young man has an affair with an older woman. He is very jealous of her husband and decides that they should kill him. One night, after the husband had plenty of sake to drink and was in bed, they strangle him and dump his body down a well. To avert any suspicions, she pretends her husband has gone off to Tokyo to work. For three years the wife and her lover secretly see each other. Finally, suspicions become very strong and people begin to gossip. To make matters worse, her husband’s ghost begins to haunt her and the law arrives to investigate her husband’s disappearance.

It’s the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare. Captain Fred Derry is returning to a loveless marriage; Sergeant Al Stephenson is a stranger to a family that’s grown up without him; and young sailor Homer Parrish is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past?

TV producer Pierre Delacroix becomes frustrated when network brass reject his sitcom idea. Hoping to get fired, Delacroix pitches the worst idea he can think of: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

After the sudden death of their father, four children face cruel treatment from their ruthless grandmother.

Born to an esteemed family, Inu-oh is afflicted with an ancient curse that has left him on the margins of society. When he meets the blind musician Tomona, a young biwa priest haunted by his past, Inu-oh discovers a captivating ability to dance. The pair quickly become business partners and inseparable friends as crowds flock to their electric, larger-than-life concerts. But when those in power threaten to break up the band, Inu-oh and Tomona must dance and sing to uncover the truth behind their creative gifts.