Follows ACP Avinash Verma as he investigates the killing of a minister’s assistant in a mass shootout. As his team delves deeper into the case, a darker conspiracy is revealed.
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After a violent bank robbery, the trio of hoods make their way across East L.A. carrying a blood-soaked bag of money. When word gets out, they must fend off gangs and crooked cops alike as they strive to keep the loot and stay alive.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.
22 minutes got Russian marine to free a hijacked oil tanker far from shore.
During autumn of 1944, an RAF Hudson carrying a VIP passenger in possession of highly secret information is shot down and ditches in the North Sea. Fighting the elements and trying to keep up morale, the occupants of the aircraft’s dinghy talk about their lives awaiting the rescue they hope will come. The film’s title reflects the motto of the RAF’s Air Sea Rescue Service, one of whose high speed launches battles against its own mechanical problems, enemy action, time and the weather to locate and rescue the downed crew and the vital secret papers they carry.
The relationship between brothers Terry and Matt, both active in the IRA, comes under strain when Terry begins to question the use of violence.
Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Hotheaded laborer B.J. Hammer can’t go long without ending up in a fight, and, after he comes out on top in a particularly impressive workplace scuffle, word of his brawling skills makes its way to Davis, a top boxing manager. Hammer is hired by Davis and begins a lucrative career in the ring, only to find out that his new employer wants him to throw a fight and take part in other illicit activities. Hammer reacts to this news violently, and the feud is on.
Gabrielle Van Der Mal gave up everything to become a nun. But her faith and her vows are forever being tested: first in the missionary Congo hospital where she assists the brilliant and handsome Dr. Fortunati and then at the mother house in France when World War II has broken out and the nuns are forbidden by the order to take sides.
