In the 1940s, a small Mexican town has seen its last three mayors assassinated in rapid succession. A naive janitor is recruited to become the new mayor, and he believes he will modernize the little town and usher in a reign of peace. But the system corrupts him very quickly, and he takes to abusing his power while associating with an unscrupulous assortment of opportunists, hypocrites and criminals.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.

A young Donald Trump, eager to make his name as a hungry scion of a wealthy family in 1970s New York, comes under the spell of Roy Cohn, the cutthroat attorney who would help create the Donald Trump we know today. Cohn sees in Trump the perfect protégé—someone with raw ambition, a hunger for success, and a willingness to do whatever it takes to win.

A debt collector for the mob (Academy Award(R)-winner Cuba Gooding, Jr.) finds his fate taking a series of treacherous turns after his powerful boss and mentor (Miguel Ferrer) is caught in a dangerous double cross with the most dangerous drug dealer around (Academy Award(R)-nominee Harvey Keitel) in this crime thriller from writer/director Franck Khalfoun.

When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of Raymond, her married boyfriend, April wants nothing to do with the kids.

A secret jet aircraft capable of traveling three times the speed of sound is being developed by a group of scientists. On the day of the test flight, one of the scientists dies in a mysterious accident, and there are many arguments concerning the flight itself; some think it should be ground-controlled while Heathley (James Donald) wants it to be a manned flight with himself at the controls. Conflict also arises when one of his fellow scientists, taking advantage of Heathley’s lack of attention toward his wife, Lydia (Phyllis Calvert), makes some moves on her. Then there is the question of just who is the enemy agent on the project.

The anti-Ching patriots, under the guidance of Ho Kuang-han, have secretly set up their base in Canton, disguised as school masters. During a brutal Manchu attack, Lui manages to escape, and devotes himself to learning the martial arts in order to seek revenge.

Rome in 65 AD, Emperor Nero‘s tyrannical regime has reached its zenith, Nero‘s self-indulgence and excessiveness brings up the opposition against him, conspiracies threaten his power. By all means Nero tries to defend his despotic claim of sovereignty. The famous philosopher Seneca has been Nero‘s teacher, mentor and close advisor since childhood, he is significantly involved in his ascent. Nevertheless, Nero gets weary of Seneca and Nero uses a foiled attack on his life to falsely accuse Seneca of being an accomplice.

Michelle a single mother is kidnapped by three masked men and held hostage until she is forced to rob a bank which is the only option she has to saving her only child’s life while they are both wired to explode.

An undertaker gets married to an old executioner’s daughter and, although he doesn’t like it, must continue the profession of his father-in-law after his retirement.

In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.