Ruth and Harry decide to take a romantic backpacking trip through the Pacific Northwest, but amongst the beautiful scenery, Ruth makes an unexpected discovery that sets her off on a strange, frightening new path. The couple aren’t alone in the woods, and they might not be the same when they come out…if they come out.
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The relationship between brothers Terry and Matt, both active in the IRA, comes under strain when Terry begins to question the use of violence.
After surviving a car accident that took the life of her boyfriend, a teenage girl believes he’s attempting to reconnect with her from the after world.
For years, Andrei Evilenko eluded the obsessive Detective Lesiev and the psychiatric profiler Aron Richter. Spurred on by his rabid fury at the gradual crumbling of his precious Soviet Union, Evilenko is a man who will live, die and kill as a communist.
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
Three longtime girlfriends from elementary school, very different women, have one thing in common: they are in the fall of their lives and they all feel how ruthless old age can be. Marie is abandoned by her husband on Christmas Eve, and her entire identity as part of a happy family crumbles. Berling is the eternal “bachelor” who outwardly denies her age and lives the sweet life, but in the backdrop she is affected by a complicated relationship with her daughter. Vanja lives in the memories of her late husband and has difficulty moving on. The three travel to Italy together to attend a food course in Puglia, where they each have an opportunity to redefine themselves.
An enthralling directorial debut by the phenomenal, biting columnist and broadcaster Chip Tsao. Three elementary school pals, separated during the post-Tiananmen wave of emigration, reunite after 20 years, only to find themselves in totally different places. When each of them gets involved in an unlikely and at times illicit romance, their disparate lives intertwine and take a dire turn. The simmering ennui of post-handover Hong Kong is insightfully captured in this original and hardhitting drama about love, deceit and betrayal.
Four best friends, Yong-bi, Ji-gong, Sang-woo and Doo-man who just turned twenty and just came of age took the road to Pohang, a small city near the beach—since one of the friends, Sang-woo, is enlisting in the marine corps the day after. On the last day before Sang-woo goes off to the army, a life-changing incident dawns in front of them. The four best friends now face a situation beyond their control, and are forced through an irrevocable day.
We’re in an English village shortly before Dunkirk. “Mr. Tom” Oakley still broods over the death of his wife and small son while he was away in the navy during WWI, and grief has made him a surly hermit. Now children evacuated from London are overwhelming volunteers to house them. Practically under protest, Mr. Tom takes in a painfully quiet 10-year-old, who gradually reveals big problems.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
Three young women – Deena Jones, Effie White and Lorrell Robinson – dream of becoming pop stars and they get their wish when they’re chosen to be backup singers for the legendary James ‘Thunder’ Early.
