Ming Wang is an impoverished Chinese prodigy who flees Communist China to become a pioneering eye surgeon in America. When tasked with restoring the sight of an orphan in India, who was blinded by her stepmother, Wang must confront the trauma of living through the violent uprising in his youth, the Cultural Revolution.
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She is a good woman living a fulfilling life. Or so it seems. A caring mother, a capable housewife and a successful career woman, she looks after her mother with dementia on her own. What she needs is a little more space but somehow, she just can’t find any. She decides to buy a house since she believes that a bigger place will make her family happy.
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When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.
Toni, a tomboyish boxer, lands a spot on an after-school drill team in the West End community of Cincinnati. She eagerly absorbs routines, masters drills, and even pierces her own ears to fit in. It’s the joy of her first friendships and her discovery of dance. Shortly after Toni joins the team, most of the girls on the team suffer from episodes of fainting, swooning, and shaking in a seemingly uncontrollable catharsis. Nobody can explain the mysterious outbreak. These fits soon transform into a rite of passage as the trauma draws the other girls closer together. Caught between her need for control and her desire for acceptance, Toni must decide how far she will go to embody her new ideals.
Student Fereshteh has to hide her illegitimate baby for one night from her parents who turn up for a surprise visit. Her friend Atefeh helps her. They embark on an odyssey through Tehran during which they must carefully weigh up who their allies are.
A touching comedy about an unlikely friendship that grows between three twenty-something professionals searching for meaning in life and work in the digital age.