A young photographer and his girlfriend discover mysterious shadows in their photographs after a tragic accident. They soon learn that you can not escape your past.
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Ray (Philip Broadbent) is a washed-up musician with nearly nothing left to live for. Only the broken-down relationship with his daughter Joanna (Lydia Lakemoore) keeps him going. Plagued by insomnia Ray drinks to numb the flashbacks of another life; a life that had a future, where a daughter loved her father, where his wife lived on. Determined to change before he loses Joanna too, Ray takes Pandora, a mysterious sleeping pill from the dark web. It works. Then Ray wakes to a nightmare he could never have imagined. From the shadows of Ray’s tormented life now come new demons. Demons that are not in his head. Demons that want revenge.
A pair of filmmakers try to work with Ruggero Deodato, “Cannibal Holocaust, Jungle Holocaust, House on the Edge of the Park, Cut and Run” to pull of a horror film based on realism. The producers family house, where the film is to be shot turns out to have it’s own secrets, hidden behind the walls. Secret chambers and ritualistic ceremonies invoking the spirit of Lilith. She who was cursed by God for not obeying Adam in the Garden of Eden. The women in the crew are possessed one, by one and their only salvation is thru death. Once unleashed, nothing can prepare you for LILITHS HELL!
When a low level mobster is nearly rubbed out by the boss, he decides to take the bonus he was promised by force, so he kidnaps the boss and demands a hefty ransom.
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Determined to break the next big story and refashion his complicated personal life, Joy embarks on a relentless odyssey through the heart and gut of Mumbai.
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