Gay twins Gary and Larry have always loved Dolly Parton. They left their small town home ten years ago to make it in Hollywood and are finally ready to get their script to Dolly. In a RV named Jolene, the boys embark on the adventure of a lifetime. This road trip is also a journey of self-discovery and an attempt to resolve mommy issues that have divided them since childhood.

Don McGlynn’s uncompromising and soulful documentary look at the tumultuous life of musician and rebel Charles Mingus is fascinating stuff. Mingus said of himself “I am half black man, half yellow man, but I claim to be a Negro. I am Charles Mingus, the famed jazz musician–but not famed enough to make a living in America.” His statement summed up the conflict that plagued this musical genius his entire life: volatility, pain, prescience, and raw rage roiled inside a complex man, composer, bass player, and trombonist who transcended labels and refused to be pigeonholed into a single musical style–and who did not achieve real fame until late in his career.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

For over half a century, 60 Minutes’ fearsome newsman Mike Wallace went head-to-head with the world’s most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Wallace’s storied career and troubled personal life while unpacking how broadcast journalism evolved to today’s precarious tipping point.

Now one of the world’s most celebrated artists, Yayoi Kusama broke free of the rigid society in which she was raised, and overcame sexism, racism, and mental illness to bring her artistic vision to the world stage. At 88 she lives in a mental hospital and continues to create art.

A documentary 33 years in the making, director and friend of Kurt Vonnegut seeks through his archives to create the first film featuring the revolutionary late writer.

Adam Carolla and Dennis Prager examine the reality of life and discourse on college campuses in modern America.

Dreams So Real, the feature-length concert documentary, captures Canadian rock group Metric’s last live performance of a year-long sold-out world tour.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

The true-life story of a Harlem’s notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.

Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.

Louis C.K. muses on religion, eternal love, giving dogs drugs, email fights, teachers and more in a live performance from Washington, D.C.