A 30-something couple unintentionally become involved in a botched jewel heist while shopping for wedding rings.
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Based on the comic “Boogie, el aceitoso”.In a city where crime rules the streets, Boogie shows up. only to make things brutally worse. A hired thug, with a blatant disregard for human life – especially those that are less fortunate, and an unmatched lack of respect for women, Boogie is the ultimate anti-hero. Boogie is an action-packed, jaw-dropping, animated feature, exploding with sadistic humour,violence and non-stop bullets.
Marion and Mingus live cozily – perhaps too cozily – with their cat and two young children from previous relationships. However, when Marion’s jolly father, her oversexed sister, and her sister’s outrageous boyfriend unceremoniously descend upon them for a visit, it initiates two unforgettable days that will test Marion and Mingus’s relationship. With their unwitting racism and sexual frankness, the French triumvirate hilariously has no boundaries or filters… and no person is left unscathed in its wake.
Christmas comes just once a year. But for Rudy, every day is Christmas. And every day is perfect. Because Christmas is perfect. At least that’s what Rudy tells himself.
Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he’s a Gallic James Brown, and a morose, micromanaging groom determined to make Max’s night as miserable as possible. But what makes the affair too bitter to endure is that Max’s colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It’s going to be a very long night… especially once the groom’s aerial serenade gets underway.
After getting fired from her job as a maid at a ritzy New York City hotel, Allie reluctantly accepts a temp gig as the governess to a young girl who is part of a powerful family in Europe that lives in an actual castle. After arriving, Allie learns the girl is named Princess Theodora and her father is Maximillion, the King of Winshire. The King informs Allie that the Princess has a tendency to terrorize authority figures, a predilection that has grown worse since her mother’s death. Yet governess and Princess wind up hitting it off while at the same time a spark forms between Allie and Max. However, Countess Celia is expecting to wed the King. Will Max take a stand for his feelings for Allie and make it truly a merry Christmas for all (or at least, most)?
Major Benson Winifred Payne is being discharged from the Marines. Payne is a killin’ machine, but the wars of the world are no longer fought on the battlefield. A career Marine, he has no idea what to do as a civilian, so his commander finds him a job – commanding officer of a local school’s JROTC program, a bunch of ragtag losers with no hope.
Inspector Clouseau disappears, and the Surete wants the world’s second best detective to look for him. However, Clouseau’s enemy, Dreyfus, rigs the Surete’s computer to select, instead, the world’s WORST detective, NYPD Sgt. Clifton Sleigh. Sleigh obtusely bungles his way past assassins and corrupt officials as though he were Clouseau’s American cousin.
Avocado Toast is a story about Adam, a hard-working, plays by the rules family-man, who risks everything he has by experimenting with “millennialism.”
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR