Arima Kousei won numerous piano competitions while under the strict watch of his mother. He was known as the human metronome during that time. Since the death of his mother, Kousei has been unable to hear the sound of his piano. He then meets Miyazono Kaori through childhood friend Sawabe Tsubaki. Kaori plays the violin and has a free sprit. Since meeting her, Kousei is able to face the piano again. Meanwhile, Kaori holds a secret.
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Charlie gets released from an insane asylum and moves in with Miranda, the young daughter he left behind. Charlie believes that there is treasure hidden beneath the local Costco, so he puts together a plan to unearth the loot. By convincing Miranda to quit her job at McDonald’s and instead work at the wholesale store, he is able to obtain a key. Although Miranda is skeptical, she helps her father with his irrational quest.
David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.
A man coping with the institutionalization of his wife because of Alzheimer’s disease faces an epiphany when she transfers her affections to another man, a wheel chair-bound mute who also is a patient at the nursing home.
After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police’s Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.
VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this “Voice,” resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.
On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who’s moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
It’s five years later and Tony Manero’s Saturday Night Fever is still burning. Now he’s strutting toward his biggest challenger yet – making it as a dancer on the Broadway stage.
Annie’s life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian’s maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she’ll show Lillian and her bridesmaids just how far you’ll go for someone you love.
The second holiday story inspired by Scotty McCreery’s song “Five More Minutes,” a young widow’s Christmas wish for her son is answered in unexpected ways when she returns to their old home for the holidays.
The lives of several couples and singles in New York intertwine over the course of New Year’s Eve.
