In a construction site under the full moon, construction workers dig too deep and inadvertently wake up Joe (Alex Lam), a vampire that has been lying underground for a century. Dazzled by the vibrancy of a modern city at night, Joe wanders around and runs into Apple (J. Arie), a jilted girl planning to kill herself. Eager for a taste of blood, Joe follows her home and helps her and her grandmother get rid of thugs sent by a real estate developer who wish to buy them off. What started as a battle for property turns out to be a battle among vampires.
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Emmy Award-winning, socio-political comedian W. Kamau Bell brings his sharp observations and quick wit to his debut Netflix special, W. Kamau Bell: Private School Negro, available for streaming globally on June 26, 2018. Bell delivers nonstop laughs as he sounds off on the current presidential administration, racism in America, parenting mixed race daughters, and what it would be like if Michelle Obama still had a job in the White House.
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When a young girl takes her own life, Archie and the other Suicide Kids decide to follow her lead and form a pact. But as the group begin to die on by one, Archie realises that they have all become the target of a masked killer and that his commitment to death has become a terrifying fight for survival and a battle to protect the girl he loves. But who’s the killer?
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine “Jimmy the Toucan” Sabatini, an “importer” bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he can’t refuse, he finds himself caught up in a caper involving endangered species and fine dining.
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In a politically divided America, a man struggles to make it through the Thanksgiving holiday without destroying his family.
Martha Travis is a medium who makes contact with spirits “on the other side” and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn’t dead… yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows…