A group of scientists are experimenting with time travel, and they manage to send one of their group ahead in time one hour. But when he comes back, he tells them that they’ll all be dead within the next hour unless they shut the machine down.

In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was “killed on the field of battle.” It’s written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man’s land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate…

Everyone wants to find a suitcase that the sons of El Patrón had the night when the where killed. La Lectora is kidnapped, by El Patrón guys, to read a Journal in German where they hope to find the clue the get to the mysterious suitcase.

Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.

Royal Tenenbaum and his wife Etheline had three children and then they separated. All three children are extraordinary — all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father’s fault. “The Royal Tenenbaums” is the story of the family’s sudden, unexpected reunion one recent winter.

A musical about six strangers who find themselves stuck on the New York City subway.

Eighteen-year-old Shira is the youngest daughter of the Mendelman family. She is about to be married off to a promising young man of the same age and background. It is a dream come true, and Shira feels prepared and excited. On Purim, her twenty-eight-year-old sister, Esther, dies while giving birth to her first child, Mordechay. The pain and grief that overwhelm the family postpone Shira’s promised match. Everything changes when a match is proposed to Yochay-Esther’s late husband-to a widow from Belgium. Yochay feels it’s too early, although he realizes that sooner or later he must seriously consider getting married again. When the girls’ mother finds out that Yochay may marry the widow and move to Belgium with her only grandchild, she proposes a match between Shira and the widower. Shira will have to choose between her heart’s wish and her family duty. She will find out that the void which she must choose exists only within her heart.

While on holiday in Rhodes, Athenian war hero Darios becomes involved in two different plots to overthrow the tyrannical king, one from Rhodian patriots and the other from sinister Phoenician agents.

The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.

A devout community suffering from a plague is torn apart by a beautiful young woman and the forces of witchcraft, black magic, and possession.

In Los Angeles, Emily Brown is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa is a compulsive shopper. The security guard Nick of the Bernstein’s department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein.

Nutcracker is a fresh twist on a cautionary tale. Shelly is a 17-year old, African-American girl on the cusp of womanhood. The realities of wanting to be desired, wanting to be validated, and wanting to fit in pull her down to a place of desperation. Her vivid imagination often finds her in awkward situations, but over the course of the story it stretches to the place where she’s willing to put herself in not just a vulnerable, but downright life-threatening situation.