Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but now feels trapped within the beautiful but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with every passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside world that takes her closer than ever to the edge of the road and her desire to escape.
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It sounds like a budding writer’s dream: a bestselling first novel, a luxurious house in Malibu, and a trophy wife… But it all unravels when writer’s block and a failed marriage send Richard McMurray (Campbell Scott, The Exorcism of Emily Rose) out into the streets.
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Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.
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