When a paintball team hops the fence to go play with their friends on private property, a reclusive land-owner strikes back in full force with an arsenal of remote-controlled vehicles.

Long ago, a tragedy befell a small logging town. For decades, in that very same community, a psychopathic murderer has roamed. Hellbent on finding and destroying anyone who is unfortunate enough to wander into his wilderness. When a group of college students decide to get away for a weekend, their party plans land them in Dark Shade Creek. But a weekend of fun soon descends into madness, and the teens find themselves in a downward spiral of terror, with almost no chance of escape.

Ninety nine percent of the worlds has been destroyed by a bio-chemical war. Technology is obsolete and the soil has been polluted leaving people with barely any food. The survivors try to continue on by hunting and consuming the living dead which has dire results as the dead flesh begins to mutate with the bio-chemical still in the atmosphere. People’s digestive systems begin to evolve and force their way out of victims mouths to search for food on their own. Mutations spiral out of control into a grotesque finale.

On a surveillance mission in a primordial forest, a park ranger encounters two survivalists following a post-apocalyptic lifestyle. The boy and his philosophical father seem to have their own religion, and a mysterious relationship to nature. There are many suspicious aspects to their existence, but when the cabin is attacked by strange, post-human beings one night, she learns that there is a greater threat in this emergent wilderness. Gaia is an ecological horror fantasy which engages the burning issues of our time.

Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.

When a ruthless serial killer terrorizes a small Southern town, everyone becomes a suspect — including local authorities. As the body count rises and the dark mystery deepens, the chief detective becomes haunted by the horrors of his past.

Old St. Leopold’s Hospital has many urban legends surrounding it, but the residents of Bridgeport all agree on one thing: tortured souls roam its abandoned halls. The mystery proves too much for a pretty young student who decides to investigate for her senior class project. Unfortunately, she does not find ghosts. She, instead, finds Stanley… serial rapist, murderer, and psychopath. As the young girl becomes Stanley’s new pet, a team of young investigators descend on the hospital to “hunt some ghosts.” Stanley sees nothing but fun and games in his future. But, what Stanley does not know is that the hospital truly is haunted and the restless spirits there are not happy with what he has been doing.

Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.

Wynne, who is suffering PTSD from the death of her fiancé, starts seeing disturbing images on her cell phone about her future. If she doesn’t figure them out in time, she will die.

The Days of Creature Features Are Back.

When a meteor lands during a beach party, it kicks off a zombie apocalypse.

An artist with a rather unusual art-style literally uses all the men she likes for her artworks. Bodies begin to pile up in abandoned alleyways and the case is handed out to a homicide detective to bring in the artistic serial killer.