A soldier is forced to take estrogen and wear lingerie when he’s blackmailed by a violent transvestite.
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A disgraced former cop finds himself working for a ruthless female kingpin to pay off his estranged father’s debt and protect his family.
Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.
For the past two years, Ryan and Amy Green have been working on That Dragon, Cancer, a videogame about their son Joel’s fight against that disease. Following the family through the creation of the game and the day-to-day realities of Joel’s treatment, David Osit and Malika Zouhali-Worrall create a moving testament to the joy and heartbreak of raising a terminally ill child.
Kei longs for a “normal” life in rural Japan. But for a transgender man who is jobless in his own hometown, getting to normal is one steep climb, especially since Erin, his Canadian partner, longs to move to Tokyo, where they can live openly and freely. On his way to a job interview in the city, Kei meets a stranger. Abandoning his journey to help her, he discovers she is the owner of the hot springs—a place he once loved, as a child. Kei’s encounter with the healing waters is complicated by Erin’s turning up as well. Finally, the couple—one on the men’s side, the other, on the women’s—must face the truth about their divergent wishes, identities, and murky notions of belonging.
Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren’t enough, Henry also has to recover his speech and mobility, in a life he no longer fits into. Fortunately, Henry has a loving wife and daughter to help him.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
Lucio, a prestigious university professor, takes the position of substitute teacher at a high school in the suburbs of Buenos Aires, where he grew up. Through tales, novels and poetry, he tries to distract his class from the harsh reality of their everyday lives. But soon, he must step out of his professional duties when Dilan, one of his students, is threatened by a local drug kingpin.
Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
During the Vietnam War [1959-1975] a special US combat unit is sent out to hunt and kill the Viet Cong soldiers in a man-to-man combat in the endless tunnels underneath the jungle of Vietnam. Suicide squads of a special kind.
Haunted by memories of her broken marriage and a fight with her daughter, a woman joins an intense self-help retreat when her vacation goes awry.
Habib and his 15 year old son Ahmed from his previous marriage, are brought together by Habib’s worsening state of health. Habib’s political past during the dictatorship in Tunisia is dangerously affecting his present. The roles are reversed, Ahmed has to protect his father and try to keep him safe. Habib and Ahmed find themselves in a chaotic position that neither is prepared for.