Georg Baselitz: Making Art after Auschwitz and Dresden explores the artist’s brilliant career through his 2007 retrospective exhibition at London’s Royal Academy of Arts. Accompanied by curator Norman Rosenthal, who first exhibited paintings by Baselitz in the early 1970’s, the artist discusses painting, sculpture and the trajectory of his work. The exhibit emphasizes Baselitz ability to create imagery that deals unflinchingly with his position as a post-war artist. In responding to contemporary experience and exploring his own painterly instincts, Baselitz creates symbols which reflect deep-rooted human dilemmas and concerns.

Captures a moment in 1970s Britain’s immigration debate, focusing on new arrivals at Heathrow as they wrestle with immigration law.

British boxer Ricky Hatton incredible journey from Manchester Council estate to fighting in Las Vegas. Also explores themes of celebrity and mental health, acting as both a celebration of talent and cautionary talent.

In this tribute to the eternal allure of an ancient myth, colourful fins and swimming pools fill the lives of five modern-day women who strive to embody the mysterious siren as part of a growing “mermaiding” subculture.

With all the ingredients of a Hollywood movie, this sex scandal shocked, enthralled, and enraged 1990s America. An examination of the affair between Mary Kay Letourneau and her 12-year-old student, Vili Fualaau in 1997.

The story of ingenuity, teamwork and determination of the FBI in desperate moments after the 9/11 attacks, when they had to evacuate their New York headquarters, and transformed a greasy automotive garage into a new command center.

For the first time, complainants against La Luz del Mundo megachurch leaders expose the abuses they suffered through exclusive interviews.

Istanbul’s street vendors adapt to fast paced urban changes when their neighborhoods are destroyed and residents are evicted over the course of 5 years.

A celebration of the legendary band that revolutionized pop music, and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.

The truth is way stranger than fiction,” muses one interviewee in this unbelievable true account of an incredible war time saga. As the Second World War was coming to a close, the US Office of Strategic Services trained and parachuted two Jewish refugees and a German deserter deep into Nazi occupied Austria. Through vivid first-person accounts, re-enactments, archival footage and learned commentary, the film reveals how their efforts disrupted a vital supply route between Germany and the Italian front to bring about the surrender of Innsbruck to Allied Forces. Their unbelievable adventure has a finale that beats any Hollywood movie hands down — but a story so powerful that it became the basis for Quentin Tarantino’s mega hit.

As one art scene insider proclaims, the contemporary art world can be summed up as “rich people trying to prove how rich they are,” but is that all there is to this billion dollar industry? Well-researched and expertly constructed, Barry Avrich’s eye-opening documentary peels back the layers of the art world economy- from production to circulation, and delineates every integral player in the game of art-making, including curators, gallerists, collectors, donors, auction houses, and … artists. In the process, he unpacks the complex and surprising ecosystem that supports the art world superstars and million-dollar deals that make front-page news. Featuring extraordinary access to industry players and candid statements from prominent artists like Damien Hirst, Julian Schnabel, Taryn Simon, and Marina Abramovic, Blurred Lines collides the two narratives of the art world as both above and beholden to market forces.

“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux