With their father in prison for murder, siblings Alison and Brandon are instantly considered suspects when a string of killings plagues their town, and they must fight to clear their names.

In worn-torn Afghanistan, young marine Tyler’s life is changed when he is saved by a fellow soldier, Quincy, who dies in doing so.

When a bachelorette party at Emmanuelle’s house is interrupted by a mysterious loner, strange things begin to happen. The party guests start changing one by one into blood-sucking sexual predators with only Emmanuelle to tame the situation. Will she save her friends or will she fall under the spell of the Prince of Darkness?

Toma Caragiu plays Costica Caratase character inspired by the personality of the great actor Constantin Tanase. The action takes place in the interwar period and focuses on the conflict between actor and Iron Guard movement (“savages”) offended by a satirizes artistic performances. Film question the artist’s freedom of expression and the danger posed by his involvement in social issues existing in a dictatorship world.

Orhan Pamuk – Turkey’s Nobel laureate for Literature – opens a museum in Istanbul. A museum that’s a fiction: its objects trace a tale of doomed love in 70’s Istanbul. The film takes a tour of the objects as the starting point for a trip through images, landscapes and the chemistry of the city. A film about Istanbul, love, memory and loss.

A young boxer is taken under the wing of a mob boss after his mother dies and his father is run out of town for being an abusive alcoholic.

In 1978, two rival groups at Camp Nightwing must band together to solve a terrifying mystery when horrors from their towns’ history come alive.

A story of a fragmented friendship finding new ground, director Daniel Stine’s feature film debut Virginia Minnesota begins with a young woman at a crossroads. Her direction in life a question mark, Lyle (Rachel Hendrix) heads off on an impromptu road trip, running into a former friend, Addison (Aurora Perrinau). Addison is also adrift, and the two find themselves on the road together. Separated by a childhood trauma, Addison and Lyle must face their shared history in order to move on as adults. Through the trip they learn not only the influence of their lost friendship on their current lives, but how their new bond will shape their future as young adults.

When a young auto salesman is forced to give up a vacation with his wife in order to drive a big American car to its new owner who lives on the Riviera, he makes the best of things. First, he gets and old friend to ride along with him. Then, the two of them are joined by another pair of men who want to ride south.

Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.

A convert to Islam sends the U.S. government a tape showing him in three nondescript storage rooms, each of which may contain a nuclear bomb set to detonate in less than a week. Helen Brody, an FBI agent in L.A., is tasked with finding the bombs while a CIA “consultant”, known as H, interrogates the suspect who has allowed himself to be caught. The suspect, whose wife and children have left him and disappeared, seems to know exactly what the interrogation will entail. Even as H ratchets up the pressure, using torture over Brody’s objection, the suspect doesn’t crack. Should H do the unthinkable, and will Brody acquiesce? Is any Constitutional principle worth possible loss of life?

The story of the miraculous evacuation of Allied soldiers from Belgium, Britain, Canada and France, who were cut off and surrounded by the German army from the beaches and harbour of Dunkirk between May 26th and June 4th 1940 during World War II.