Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.

A continuation of the documentary spoof of what Thor and his roommate Darryl were up to during the events of “Captain America: Civil War”. While Cap and Iron Man duke it out, Thor tries to pay Darryl his rent in Asgardian coins.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.

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After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

Still photographs and narration give an overview of the history of the American Indian.

That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.

The life and career of one of comedy’s most inimitable modern voices, Mr. Gilbert Gottfried.

Dr. Feelgood shares several perspectives on prescription drug use, exploring the issues involved when doctors are faced with patients seeking help for chronic pain.

German director Werner Herzog begins work on his 1982 epic “Fitzcarraldo” but soon runs into serious setbacks, from casting problems to his own stubborn refusal to use special effects. After having to reshoot much of the film because the lead actor was recast, his crew must then haul an old-fashioned steamboat over a mountain using manpower alone. With a resolve bordering on insanity, Herzog struggles to realize his vision, vowing to see the film completed — even if it leads to his undoing.

A documentary chronicling the Beatles’ rehearsal sessions in January 1969 for their proposed “back to basics” album, “Get Back,” later re-envisioned and released as “Let It Be.”

Constructed from a wealth of archival footage, the documentary follows Dr. Martin Luther King, Jr. from 1955 to 1968, in his rise from regional activist to world-renowned leader of the Civil Rights movement. Rare footage of King’s speeches, protests, and arrests are interspersed with scenes of other high-profile supporters and opponents of the cause, punctuated by heartfelt testimonials by some of Hollywood’s biggest stars.