Dennis Hopper plays Nick Twain, a Hollywood Producer whose latest film is rejected by every film festival in the world except one- in Ohio. Nick will do anything to get his film distributed, including manipulating his dysfunctional cast into attending the festival. Hollywood egos and small town politics inevitably collide.

Group of old friends gather in a summer villa to celebrate a surprise birthday party for Mitzi, who is the dramatic focal point of the group. The weekend starts ominously when Mitzi does not respond well to the surprise party. It turns out that Mitzi has just filed for divorce and has been looking forward to a peaceful weekend. The tense situation takes a new turn when Mitzi’s best friend brings her new boyfriend for a visit, who happens to be a Swedish film star. Familiar surroundings and the old rituals get to the core of the group and make them forget their adulthood. Revelations, not meant to harm the balance, make them reassess their past as well as their present.

With a price on his head, Ichi seeks tranquillity in a favorite village. Since his last visit, it has fallen prey to Boss Masagoro, the son of a merchant rumored to have stolen gold from the shogunate. The boss has hired Yojimbo as his hard-drinking enforcer, but Yojimbo is both a spy for the shogunate, trying to find the gold, and in love with the merchant’s unwilling mistress, Umeno. Ichi hires on as the merchant’s masseur and buys Umeno’s freedom with his employer’s own money. This embarrasses Yojimbo who withdraws from a pact with Ichi to stir up trouble between father and son and their gangs. As the two sides fight, Ichi finds the gold and sets up a final set of confrontations.

Amy is a novelist who returns to her hometown to look after her stubborn grandfather, Tom, and his pumpkin-themed store. While there, she crosses paths with a man from her past.

Woo-Jin changes into a different person when he wakes up. He falls in love with Yi-Soo.

Hoffmann is a lovelorn young man in Nuremberg who is watching his latest love, Stella, dance in the ballet. In the interval he goes to the tavern where he tells his friends the tales of the three major loves of his life. Each story forms a separate act of this filmic version of the Offenbach opera.

A British art expert leaves New York to buy a long-lost Renoir from a Georgia eccentric.

Eddie is suffering from no longer living with Karine and their son Noam. One night walking home drunk, he gets mugged and badly injured. Suddenly, Eddie becomes a hero to his son and the victim of a vicious crime to his wife. He is asked to move back home, and is offered a new job.
But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

The story of a young Sydney band trying to get a foothold in the competitive world of rock n’ roll. After the band’s first gig is a colossal failure, the lead singer takes it upon himself to go out and pursue the most successful rock manager in the country. Meanwhile, the other members of the band continue to deal with the kind of everyday life issues that can ultimately tear a band apart. It may be the dawn of a new millennium, but it’s still a long way to the top if you want to rock n’ roll.

Rachel is a quick-witted and lovable stay-at-home mom. Frustrated with the realities of preschool auctions, a lackluster sex life and career that’s gone kaput, Rachel visits a strip club to spice up her marriage and meets McKenna, a stripper she adopts as her live-in nanny.

In the aftermath of his daughter’s death, Jim is living a life of isolation and self-destruction until he can no longer hide and must face his tragic past.

A forlorn teenager abandoned in New York City spirals out of control, from a troubled kid to an accidental addict, after he mistakes the welcoming embrace of a Lower East Side drug dealer for the love of family. Offering a humorous take on the absurdity of the junky lifestyle, STRAIGHT OUTTA TOMPKINS also presents a fearlessly honest portrayal of the violence and danger that come with teen drug use.