An expecting father-to-be discovers he has many other siblings and tries to track them down before his baby is born.
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After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city’s dinner theater circuit … as drag queens. Now, it’s not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff — a guy she’d like to be a woman with
After years abroad in Italy, Shadi returns to his native Nazareth. But this is no spectacular homecoming. He’s back somewhat begrudgingly to honour his “wajib” (or duty) to hand out invitations to his sister’s wedding with his father. The simmering tension between the two — who are often stuck in a car, more often than not in traffic — builds, exposing the sometimes-comic chasms that exist between men who live in different worlds but share an unshakable bond.
When Patricia arrives at a country hotel in Cornwall, she encounters her ex husband Idris, who manages the place with his girlfriend Louise. Things are immediately awkward and the former couple reconnect over a long, messy night where they revisit the past while remaining open to new beginnings.
While happily engaged to Rosalia, Tony has the misfortune of falling for a vibrant pilot named Valeria — and that’s just the beginning of his problems.
Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he’s sent to London to oversee a merger.
Militant optimist Andrew Maxwell shows off his 21 years of experience on the Fringe with this polished, political hour. Thought-provoking, charming and masterful as ever, this cheerful Dubliner’s observations are interwoven with razor sharp social commentary. Newly wedded to his muslim wife, Maxwell’s take on culture, religion and immigration is as fierce as it is funny.
Mozart’s Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey’s Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she’s supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.
A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister’s lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend’s wife; and two friends make a pact to find out what happens after death.
Two married couples find only trouble and heartache as their complicated lives unfold. After 40 years of marriage, Alfie leaves his wife to pursue what he thinks is happiness with a call girl. His wife, Helena, reeling from abandonment, decides to follow the advice of a psychic. Sally, the daughter of Alfie and Helena, is unhappy in her marriage and develops a crush on her boss, while her husband, Roy, falls for a woman engaged to be married.
When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.
