Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.

Shaquille O’Neal presents funnyman and actor Faizon Love as he takes on hosting duties for the latest installment of ALL-STAR COMEDY JAM. This time around, NBA All-Star and celebrity personality Shaquille O’Neal has handpicked some of stand-up comedy’s funniest up-and-coming talents and paired them with veterans of the comedy stage.

In the first hour of the two-part back-to-back special, Colleen Stan: The Girl in the Box, kidnapping survivor Colleen Stan tells the story of her seven-year ordeal. Abducted by a sadistic predator and his wife, she was brainwashed, tortured, and largely confined to a coffin-size box. From the very spot where she was first picked up, Colleen provides a riveting first-hand account. She explains how a slavery contract prevented her from running, and how mind control prevented her from going to police even once she was free. In the second hour learn how Colleen embraces freedom, but no matter how much she wants to move on, the past won’t go away. When she eventually took the stand at her abductor’s trial, she found herself portrayed as a willing participant. Evil may cast a long shadow, but faith and family ultimately allowed Colleen to reclaim her identity and find her mission.

A journey that promises to change not only the women’s lives but the very future of our planet. X Trillion follows fourteen women as they sail a gruelling 3000 miles across the North Pacific Ocean to one of the most remote places on Earth, but also the location of the densest accumulation of ocean plastic – the Great Pacific Garbage Patch.​ A life-affirming, optimistic story of adventure, discovery, science and solidarity.

The story chronicles The Mad Stuntman’s meteoric rise, eventual downfall of his 90s group, and his attempt over 20 years later to recapture former glory through interviews with insiders.

The Sixth is a visceral intersection of six extraordinary Americans whose lives will be forever changed by the attack on the United States Capitol on January 6, 2021.

Griffin Dunne’s years-in-the-making documentary portrait of his aunt Joan Didion moves with the spirit of her uncannily lucid writing: the film simultaneously expands and zeroes in, covering a vast stretch of turbulent cultural history with elegance and candor.

Acclaimed artist Abdou Ouologuem delves into the legend and legacy of the richest person in the history of the world, the 14th century Malian king Mansa Musa, who has been almost entirely wiped from recorded history.

Documentary telling the compelling story of the 40th Irish Dancing World Championships.

Suspended in time, a widower drifts endlessly between nights and days that melt into one continuous longing for a love that will never die but can no longer be. When the blinding sun coming through the window suddenly forces him back into life with Mitzi and Teresita—but without Teresa—he asks what good it is if she’s reincarnated into a flower or a butterfly if what the girls need is a mother. Can God be so cruel so as to deprive a young girl of her mother’s touch? And so reality turns into dream—or is it the other way around? And she is back again. Could Teresa still be alive? From the streets of Mexico City comes this heart-warming story of a young man struggling to raise his two daughters while working the night shift as a taxi driver.

The Fruit Hunters explores the little known subculture and history of rare fruit hunters who travel the globe in an obsessive search for the exotic, in this stylish and sometimes erotic documentary.

In 1972, Miyuki tells her ex-lover Kazuo that she’s going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women’s commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?