Fast-paced and powerful drama set in the high-octane world of the City of London.
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Third film based on Boris Akunin’s “Priklucheniya Erasta Petrovicha Fandorina” series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but Erast Petrovich is under suspicion because the killer pretended to be Fandorin. There are initials BG on the handle of the knife Khrapov was stabbed with, the initials belong to a terrorist organization which keeps both capital cities (Moscow and St. Petersburg) in fear. This time Fandorin is not the only one trying to solve the crime, general Pozharski, a famous detective takes over the investigation…
Fred lives on his own. His wife is dead, his son has left. He leans on the church, busses, meat-and-two-veg. Then Leo appears. Leo is a tramp. Fred lets Leo move in with him. An absurdist feature debut with a laugh and a tear in stuffy Netherlands.
Two lost souls visiting Tokyo — the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial — find an odd solace and pensive freedom to be real in each other’s company, away from their lives in America.
Peridot is the story of Gabriel, a young male gigolo, working on Skid Row to send money to his mother back home. He forms the most unlikely friendship with Martha, an elderly woman and renowned author.
On the night of September 29, 2008, the Irish government decided to guarantee the entire domestic banking system.’The Guarantee’ tells the story of that night, and what led to it.
A teenager overcomes odds to run a 4-minute mile race.
The story follows Maria – a teenager whose mother used to be a hoarder. Now (set in the 90s) she lives in a foster home where a previous resident Michael inspires her to revisit her childhood memories and passions that she has repressed.
Four couples meet for Sunday brunch only to discover they are stuck in a house together as the world may be about to end.
Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.